The Oxford Handbook of Sound Studies
The Oxford Handbook of Sound Studies
Trevor Pinch is Professor of Science and Technology Studies at Cornell University, and author or co-author of several books including Analog Days: The Invention and Impact of the Moog Synthesizer (2002, with Frank Trocco) and The Golem at Large: What You Should Know About Technology (1993, 1998, with Harry Collins).
Karin Bijsterveld is Professor of Science, Technology and Modern Culture at Maastricht University. She is author of Mechanical Sound: Technology, Culture and Public Problems of Noise in the Twentieth Century (2008), and co-editor of Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (2009, with Jose van Dijck).
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Abstract
The Oxford Handbook of Sound Studies offers new and engaging perspectives on the significance of sound in its material and cultural forms. The book considers sounds and music as experienced in such diverse settings as shop floors, laboratories, clinics, design studios, homes, and clubs, across an impressively broad range of historical periods and national and cultural contexts. Science has traditionally been understood as a visual matter, a study which has historically been undertaken with optical instruments such as slides, graphs, and telescopes. This book questions that notion powerfully by illustrating how sounds have always been a part of human experience, shaping and transforming the world in which we live in ways that often go unnoticed. Sounds and music, the articles argue, are embedded in the fabric of everyday life, art, commerce, and politics in ways which impact our perception of the world. Through a diverse set of case studies, articles illustrate how sounds—from the sounds of industrialization, to the sounds of automobiles, to sounds in underwater music and hip-hop, to the sounds of nanotechnology—give rise to new forms listening practices. In addition, the book discusses the rise of new public problems such as noise pollution, hearing loss, and intellectual property and privacy issues that stem from the spread and appropriation of new sound and music-related technologies, analog and digital, in many domains of life.
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Front Matter
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New Keys to the World of Sound
Trevor Pinch andKarin Bijsterveld
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Section I Reworking Machine Sound: Shop Floors and Test Sites
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1
The Garden in the Machine: Listening to Early American Industrialization
Mark M. Smith
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2
Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s
Hans-Joachim Braun
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3
“Sobbing, Whining, Rumbling”: Listening to Automobiles as Social Practice
Stefan Krebs
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4
Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry
Eefje Cleophas andKarin Bijsterveld
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1
The Garden in the Machine: Listening to Early American Industrialization
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Section II Staging Sound for Science and Art: The Field
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Section III Staging Sound for Science and Art: The Lab
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8
From Scientific Instruments to Musical Instruments: The Tuning Fork, the Metronome, and the Siren
Myles W. Jackson
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9
Conversions: Sound and Sight, Military and Civilian
Cyrus C. M. Mody
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10
The Search for the “Killer Application”: Drawing the Boundaries around the Sonification of Scientific Data
Alexandra Supper
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8
From Scientific Instruments to Musical Instruments: The Tuning Fork, the Metronome, and the Siren
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Section IV Speaking for the Body: The Clinic
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Section V Editing Sound: The Design Studio
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14
Sound and Player Immersion in Digital Games
Mark Grimshaw-Aagaard
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15
The Sonic Playpen: Sound Design and Technology in Pixar’s Animated Shorts
William Whittington
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16
The Avant-Garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s
Timothy D. Taylor
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14
Sound and Player Immersion in Digital Games
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Section VI Consuming Sound and Music: The Home and Beyond
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17
Visibly Audible: The Radio Dial as Mediating Interface
Andreas Fickers
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18
From Listening to Distribution: Nonofficial Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s
Trever Hagen andTia DeNora
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19
The Amateur in the Age of Mechanical Music
Mark Katz
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20
Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com
Trevor Pinch andKatherine Athanasiades
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17
Visibly Audible: The Radio Dial as Mediating Interface
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Section VII Moving Sound and Music: Digital Storage
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End Matter
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