
Contents
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1. Introduction 1. Introduction
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2. Now That Sound Is in the Air 2. Now That Sound Is in the Air
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3. Listening for Knowledge 3. Listening for Knowledge
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4. New Sources and Means of Capturing, Storing, and Reproducing Sound 4. New Sources and Means of Capturing, Storing, and Reproducing Sound
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5. Chapter Summaries 5. Chapter Summaries
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Notes Notes
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References References
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New Keys to the World of Sound
Get accessTrevor Pinch is Professor of Science and Technology Studies at Cornell University, and author or co-author of several books including Analog Days: The Invention and Impact of the Moog Synthesizer (2002, with Frank Trocco) and The Golem at Large: What You Should Know About Technology (1993, 1998, with Harry Collins).
Karin Bijsterveld is Professor of Science, Technology and Modern Culture at Maastricht University. She is author of Mechanical Sound: Technology, Culture and Public Problems of Noise in the Twentieth Century (2008), and co-editor of Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (2009, with Jose van Dijck).
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Published:21 November 2012
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Abstract
Sound is no longer produced only by humans and nature. New sources of sound such as the iPod and cell phones demonstrate that sounds have become personal and mobile. New sounds such as those of industrialization, automobile engine, and electronic sounds have entered the “soundscape”. Sounds can be captured in new ways, which are becoming a part of everyday life. The consequences of all of this are vast. Sound becomes more materially mediated in a whole host of novel ways, it becomes more “thinglike”, a means in itself to sell and market goods, the field of media studies has made a significant contribution to sound studies and fields of art studies, musicology, and ethnomusicology have recently widened their scope to include some sound studies resulting in the shift of interests of students from classical to popular music. All this offers a radical challenge for the future.
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