
Contents
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Looking at German Images from the Nazi Period Looking at German Images from the Nazi Period
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The Image Must Be Seen The Image Must Be Seen
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Iconoclasm toward Images Taken by German Perpetrators Iconoclasm toward Images Taken by German Perpetrators
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Images in History and Memory Images in History and Memory
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“Normalization” of German History “Normalization” of German History
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Home Movies, Amateur Films, and Small-Gauge Films Home Movies, Amateur Films, and Small-Gauge Films
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The Significance of Distance The Significance of Distance
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Witnessing Witnessing
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The Absence of the Photographer as Author The Absence of the Photographer as Author
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Amateur Film in Nazi Germany Amateur Film in Nazi Germany
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Contemporary Visions of the Amateur Contemporary Visions of the Amateur
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Home Movies or Amateur Films? Home Movies or Amateur Films?
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1 Witnessing from a Distance, Remembering from Afar: How to See Amateur Images
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Published:December 2011
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Abstract
This chapter demonstrates how films and photographs captured during World War II might function within the broader project of cultural memory and history today. Through a Nazi gaze, images become obscured from view and the lines of critical understanding are cut off. It discusses a primary concern of displacing the notion that these images are complicit in the great destruction of the war, stressing that images are visual objects that capture and interpret but do not collaborate in or contribute to the unfolding of historical events, albeit they were used for Nazi propaganda by the Ministry of Propaganda to incite racial prejudice and virulent anti-Semitism, and to glorify German national unity. It also considers Nazi ideology isolating or distancing images as they are taken out of the cultural and social contexts with which they were continuous.
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