
Contents
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Images of Modernity Images of Modernity
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Color Color
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The Relationship to Early Cinema The Relationship to Early Cinema
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The Cinematic Apparatus The Cinematic Apparatus
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The Travelogue The Travelogue
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Film as Ethnographic Device Film as Ethnographic Device
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Blurring Distinctions Blurring Distinctions
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Sanctioned and Unsanctioned Histories Sanctioned and Unsanctioned Histories
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Filming the Ordinary in Extraordinary Times Filming the Ordinary in Extraordinary Times
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Recycling to Remember or Forget Recycling to Remember or Forget
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Mein Krieg Mein Krieg
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Cite
Abstract
This chapter examines an array of color film footage taken by German civilians, soldiers, officers, and Nazi dignitaries in an attempt to document the war and their experiences of World War II. It discusses color footage on a range of subjects: the occupation of Paris in December 1940; the arrival in and observation of daily life in Krakow; a ghetto; and the Dachau concentration camp. In addition, this chapter considers home movie footage shot by Adolf Hitler’s butler, Arthur Kannenberg, around April 1939; films of the aftermath of the bombing of Hamburg; and views seen through the cockpit windows of fighter planes. It also brings into focus the Nazi administration banning images that expose war crime, starvation, and other similar conditions.
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