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The critical aim … must … never be merely to deconstruct Holocaust narrative into so many columns of inert myths, grammars, and figures. Instead of engaging in a sterile pursuit of deep mythological, religious, and linguistic structures constituting only the literary texts of the Holocaust, the aim … is to explore both the plurality of meanings in the Holocaust these texts generate and the actions that issue from these meanings outside of the texts. Rather than merely deconstructing this narrative or its criticism, or de-historicizing it altogether, [the] attempt here [is] to re-historicize it by looking beyond interpretation to its consequences in history.
■ James Young, Writing and Rewriting the Holocaust
Its photographs … are customarily read for content and as illustrations of the well-known story of the immoral and barbaric ideology of the Nazi system. As long as the answer to the question as to what they show is known in advance, they will remain silent…. The questions as to what these images show, what they meant for the photographers and what they mean for us are answered neither by varied references to the murderous ideas of Nazi-racism nor by reference to the pathological psyche of actors. Only focusing on the concreteness of details and the iconography of the pictures will make “visible” what can be seen in the photos and break the blockade of silence.
■ Bernd Hüppauf, “Emptying the Gaze”
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