Figure 3. Blazing promotional come-ons for The Skin Game and other sexploitation titles featuring nudity and vice address passersby at the State Theater, Washington Street, Boston, 1965. Mayor John F. Collins Records, Collection 0244.001, City of Boston Archives, Boston. Reproduced under a Creative Commo

Figure 8. A scene the New York state censor found unpalatable, showing Sam fondling Tracy’s leg in Doris Wishman’s The Sex Perils of Paulette , preserved in the film’s trailer.

Figure 13. Negotiating the seductions in and outside the frame in The Swap and How They Make It.

Figure 17. In Bunny Yeager’s Nude Camera , the famed pinup photographer ratifies the sexploitation filmmaker’s and spectator’s vantage point; the posing model’s affinities are split between her two “directors” in this lobby card.

Figure 19. Superimpositions articulate Lorna’s interiority, her longing for urban pleasures, while also presenting her as “cantilevered” spectacle in Russ Meyer’s Lorna.