<span class="xrefLink" id="jumplink-upso-9780824866655-bibliography-001-milestone-233"> Bibliography

———.

Han’guk chŏnt’ong ŭmag-ŭi ihae

(An understanding of Korean traditional music). Seoul: Seoul University Press,

1994

———.

Kugak kaeyo

(An outline of Korean traditional music). Seoul: Chŏngyŏnsa,

1961

———.

Kugak taesajŏn

(Great dictionary of Korean traditional music). Seoul: Segwang ŭmak ch’ulp’ansa,

1984

———. “

Kyŏnggido ipch’ang-gwa sŏdo ipch’ang

” (Standing songs from Kyŏnggi province and the western provinces).

Muhyŏng munhwajae chosa pogosŏ: Sŏnsori sant’aryŏng

(Research report regarding the appointment of intangible cultural properties: Standing mountain songs) 30 (

1966

): 2–58.

———. “

Sŏdo sŏnsori

” (Standing songs from the western provinces).

Muhyŏng munhwajae chosa pogosŏ

51 (

1968

): 83–123.

———. “

Sŏdo-ŭi Kwansanyungma-wa Sushimga mit Ch’up’ung kambyŏlgok

” (Kwansanyungma, Sushimga and Ch’up’ung kambyŏlgok from the western provinces).

Muhyŏng munhwajae chosa pogosŏ

52 (

1968

): 127–194.

———.

Yŏmyŏng-ŭi tongsŏ ŭmak

(Eastern and western music in the new age). Seoul: Pojinjae,

1974

Chang Tŏksun, Cho Tongil, Sŏ Taesŏk, and Cho Hŭiung.

Kubi munhak kaesŏl

(Introduction to oral literature). Seoul: Ilchogak,

1971

Chang Tongun. Min’gan sŏsashi Paebaengi kut (The folk epic Ritual for Paebaengi). Shenyang: Liaoning renmin chubanshe, 1982.

Chang Yŏngch’ŏl.

Chosŏn ŭmak myŏngin chŏn

(Dictionary of famous Korean musicians). Vol. 1. P’yŏngyang: P’yŏngyang insoe kongjang,

1998

Chang Yujŏng.

Oppa-nŭn p’unggakchaengi-ya: taejung kayo-ro pon kŭndae-ŭi p’unggyŏng

(My brother is a busker: Looking at modernity through popular songs). Seoul: Minŭm,

2006

Chatterjee, Partha.

The Nation and Its Fragments: Colonial and Postcolonial Histories.

Princeton, NJ: Princeton University Press,

1993

Chi, Jung-nam. “

Ahn Sook-sun.

”

Koreana

7, no. 4 (

1993

): 44–47.

Chin, Jung-kwon. “The Dead Dictator’s Society.” In

Developmental Dictatorship and the Park Chung-hee Era: The Shaping of Modernity in the Republic of Korea

, edited by Lee Byeong-cheon, 294–311. Paramus, NJ: Homa & Sekey Books,

2003

Ch’oe Ch’ŏl.

Han’guk minyohak

(Korean folksong studies). Seoul: Yonsei University Press,

1992

Ch’oe Chongmin. “Kwangbok 50-nyŏn kugak kyoyug-ŭi hyŏnhwang-gwa munjejŏm” (The present state and problems of the education of Korean traditional music fifty years after liberation). Paper presented at a National Gugak Center forum celebrating fifty years of independence, Seoul, September 27–28, 1995, pp. 43–62 in the unedited pre-forum collection of papers.

Ch’oe Hongsun. “Sŏdo-ŭi kŭkch’ang Paebaengi kut” (Ritual for Paebaengi, the operetta from the western provinces). Pukhan-ŭi minsok kihaeng (Travelogs of North Korean folk) 3 (

1985

): 167–175.

Ch’oe Hyŏnch’ŏl and Han Chinman.

Han’guk radio p’ŭrogŭraem-e taehan yŏksajŏk yŏn’gu: P’yŏnsŏng hŭrŭm-ŭl chungshim-ŭro

(A historical study of radio programming in Korea: Focusing on trends in the organization). Seoul: P’aju: Hanul ak’ademi,

2004

Ch’oe Kilsŏng. “

Sejon kut-kwa ‘toduk chabi’-ŭi kujo punsŏk

” (A structural analysis of Sejon kut and “catching the thief”).

Han’guk minsokhak

(Korean folklore studies) 12 (

1980

): 193–205.

Ch’oe Sangsu. “Folk Plays.” In

Survey of Korean Arts: Folk Arts

, edited by the National Academy of Arts, 240–269. Seoul: National Academy of Arts,

1974

———. “Paebaengi kut taesa” (The words of Ritual for Paebaengi). Part 1. Minsok hakpo (Folk studies gazette) 1 (1956): 179–188; and 2 (1957): 200–226; Part 2. Minsok hakpo 2 (1957): 227–255.

Ch’oe Tŏkkyŏng. “

Munhwajae

-ŭi poho-wa taech’aeg-e taehan koch’al” (A study of the protection and control of cultural properties). Munhwajae 26 (

1993

): 302–315.

Choi, Chungmoo. “Hegemony and Shamanism: The State, the Elite, and Shamans in Con temporary Korea.” In

Religion and Society in Con temporary Korea

, edited by Lewis R. Lancaster and Richard K. Payne, 19–48. Berkeley, CA: Institute of East Asian Studies,

1997

———. “The Minjung Culture Movement and Popular Culture.” In

South Korea’s Minjung Movement

, edited by Kenneth Wells, 105–18. Honolulu: University of Hawai‘i Press,

1995

Choi, Mong-Lyong.

A Study of the Yŏngsan River Valley Culture: The Rise of Chiefdom Society and State in Ancient Korea.

Seoul: Tongsŏngsa,

1984

Cho Myŏngju. “

Yu Chisuk.

”

Wŏl’gan ŭmak

(Music monthly) 286 (

1995

): 90–93.

Chŏng Chaeho, ed.

Han’guk chapka chŏnjip

(Complete collection of Korean chapka). Seoul: Kyemyŏng munhwasa,

1984

Chŏng Chaejong. “

Munhwajae wiwŏnhoe yaksa

” (A short history of the Cultural Properties Committee). Munhwajae 18 (

1985

): 1–18.

Chŏng Namgi. “

Muhyŏng munhwajae chijŏng chedo kaesŏn moksori

” (Calls for a reform of the system of appointing intangible cultural properties). Han’gyŏre (July 16, 1996): 16.

Chŏng Shihaeng. “

Sarachyŏ kanŭn uri sori sallyŏ naenŭn poram

” (The value of reviving the Korean folksongs that survive today). Chosŏn ilbo (Korea daily) (July 9, 2004): A30.

Chŏng Tonghwa.

Han’guk minyo-ŭi sajŏk yŏn’gu

(Historical research on Korean folksongs). Seoul: Ilchogak,

1981

Ch’ŏn Yŏngju. “

Ilche kangjŏmgi-ŭi ŭmak kyokwasŏ yŏn’gu

” (A study of the music schoolbooks from the period of Japanese colonial rule). Ŭmak-kwa minjok (Music and people) 13 (

1997

): 212–229.

———.

Chōsen koseki chōsa hōkoku

(Reports on investigations of ancient sites in Korea). Seoul: Chōsen sōtokufu,

1916

———.

Chōsen sōtokufu kanpō

(Government-General of Korea gazette) #2290 (August 27, 1934): 201–212.

———.

Chōsen sōtokufu shisei nenpō—Meiji 41 nenpō

(Yearbook of the Government-General of Korea—1908). Tokyo: Kuresu shuppan,

1992

(1909).

———.

Chōsen sōtokufu shisei nenpō—Shōwa 15 nenpō

(1940). Tokyo: Kuresu shuppan,

1992

(1941).

———. Chōsen sōtokufu tōkei nenpō (Statistical yearbook of the Government-General of Korea). Vols. 1912, 1916, 1920, 1926, 1927, 1928, 1930, 1932, 1933, 1934, 1936, 1939. Seoul: Chōsen sōtokufu, 1914–1941.

Chosŏn yŏn’guhoe (Research Society of Colonial Korea).

Chosŏn miin pogam

(Handbook of Korean beauties). Seoul: Minsokwŏn,

1984

(1918).

Cho Tongil.

P’ansori-ŭi ihae

(An understanding of p’ansori). Seoul: Ch’angjak-kwa pip’yŏngsa,

1978

Cho Yumi. “

Yusŏnggi ŭmban-e tamgin sant’aryŏng

” (Mountain ballads preserved on chronograph records). Han’guk ŭmbanhak (Studies of Korean records) 6 (

1996

): 101–114.

Chōsen sōtokufu (Government-General of Korea). Chōsen hōrei shūran (Compilation of Korean laws). Vol. 1. Seoul: Chōsen sōtokufu, 1932.

Chung, Hongik. “

Cultural Policy and Development in Korea.

”

Korean Journal of Policy Studies

7 (

1992

): 1–7.

Clark, Donald N.

Christianity in Modern Korea.

Lanham, MD: University Press of America,

1986

Cohen, Erik. “

The Commercialization of Ethnic Crafts.

”

Design History

2, no. 2/3 (

1989

): 161–168.

Crane, Paul S.

Korean Patterns.

Seoul: Royal Asiatic Society,

1967

Day, Timothy.

A Century of Recorded Music: Listening to Musical History.

New Haven, CT: Yale University Press,

2000

De Ceuster, Koen. “

The Changing Nature of National Icons in the Seoul Landscape.

”

Review of Korean Studies

3, no. 2 (

2000

): 73–103.

Delissen, Alain. “The Aesthetic Pasts of Space (1960–1990).”

Korean Studies

25, no. 2 (

2001

): 243–260.

Deuchler, Martina.

The Confucian Transformation of Korea: A Study of Society and Ideology.

Cambridge, MA: Harvard University Press,

1992

Dudden, Alexis.

Japan’s Colonization of Korea: Discourse and Power.

Honolulu: University of Hawai‘i Press,

2005

Elschek, Oskar. “Traditional Music and Cultural Politics.” In

Music in the Dialogue of Cultures, Traditional Music and Cultural Policy

, edited by Max P. Baumann, 32–55. Wilhelmshaven, Germany: Florian Noetzel Verlag,

1991

Eyerman, Ron, and Andrew Jamison.

Music and Social Movements: Mobilizing Traditions in the Twentieth Century.

Cambridge: Cambridge University Press,

1998

Fujie, Linda. “A Comparison of Cultural Policies Towards Traditional Music in the United States and Japan.” In

Music in the Dialogue of Cultures, Traditional Music and Cultural Policy

, edited by Max P. Baumann, 68–76. Wilhelmshaven, Germany: Florian Noetzel Verlag,

1991

Fujitani, Takashi. “Inventing, Forgetting, Remembering: Toward a Historical Ethnography of the Nation-State.” In

Cultural Nationalism in East Asia: Re-presentation and Identity

, edited by Harumi Befu, 77–106. Berkeley: Institute of East Asian Studies, University of California,

1993

Gellner, Ernest.

Nations and Nationalism.

Oxford: Blackwell,

1983

Gillman, Derek.

The Idea of Cultural Heritage.

Cambridge, UK: Cambridge University Press,

2010

Government-General of Chosen.

Annual Report on Reforms and Progress in Chosen (1912–1913).

Seoul: Chōsen sōtokufu,

1914

———.

Annual Report on Reforms and Progress in Chosen (1921–1922).

Seoul: Chōsen sōtokufu,

1923

Grayson, James Huntley.

Korea: A Religious History.

Oxford: Clarendon Press,

1989

Green, Lucy.

Music, Gender, Education.

Cambridge, UK: Cambridge University Press,

1997

Hahn, Man-young (Han Manyŏng). “

Change and Innovation in Traditional Music and Dance in Folklore Festivals.

”

Seoul Journal of Korean Studies

2 (

1989

): 92–105.

———. “Chapka.” In

Survey of Korean Arts: Traditional Music

, edited by the National Academy of Arts, 229–241. Seoul: National Academy of Arts,

1974

———. “Folksong.” In

Survey of Korean Arts: Folk Arts

, edited by the National Academy of Arts, 306–315. Seoul: National Academy of Arts,

1974

———. “Folksongs.” In

Traditional Performing Arts of Korea

, edited by the Korean National Commission for UNESCO, 15–26. Seoul: UNESCO,

1983

———. Kugak: Studies in Korean Traditional Music. Seoul: Tamgudang, 1990.

———. “Religious Origins of Korean Music.” In

Traditional Korean Music

, edited by the Korean National Commission for UNESCO, 23–34. Seoul: Si-sa-yong-o-sa Publishers, Inc.,

1983

Hammersley, Martin.

Reading Ethnographic Research: A Critical Guide.

London: Long-man,

1998

Handler, Richard. “Creation Myths and Zoning Boards: Local Uses of Historic Preservation.” In

The Politics of Culture

, edited by Brett Williams, 63–74. Washington, DC: Smithsonian Institution Press,

1993

Han’guk chŏngshin munhwa yŏn’guwŏn (Academy of Korean Studies).

Han’guk kubi munhak taegye

(A compendium of Korean oral literature). Vols. 1–10. Seoul: Ŏmun yŏn’gushil, 1979–

1990

———.

Han’guk yusŏnggi ŭmban ch’ongmongnok

(Complete list of Korean gramophone records from the colonial period). Seoul: Minsokwŏn,

1998

———.

Kyŏngsŏng pangsongguk kugak pangsong kok mongnok

(Kyŏngsŏng Broadcast Corporation’s play list of Korean traditional music). Seoul: Minsokwŏn,

2000

Han’guk minsok taesajŏn p’yŏnch’an wiwŏnhoe (

Compilation Committee of the Great Dictionary of Korean Folklore

). Han’guk minsok taesajŏn (Great Dictionary of Korean Folklore). 2 vols. Seoul: Minjok munhwasa,

1991

Han’guk munhwa yesul chinhŭngwŏn (Korean Culture and Arts Foundation).

Munye chinhŭngwŏn 20-nyŏnsa

(Twenty years of the Korean Culture and Arts Foundation). Seoul: Paeksang Printing Co.,

1993

———.

Munye yŏn’gam 1974

(1974 yearbook of culture and arts). Seoul: Kwangdŏk sangsa,

1975

———.

Munye yŏn’gam 1978

(1978 yearbook of culture and arts). Seoul: Kwangdŏk sangsa,

1979

Han’guk pŏpche yŏn’guwŏn (Korean Legislative Research Institute).

Pukhan pŏpche punsŏk

(Analyses of North Korean legislation) 95, no. 1,

1995

. Seoul: Han’guk pŏpche yŏn’guwŏn.

Han’guk yŏn’gam p’yŏnch’an wiwŏnhoe (Compilation Committee of the Yearbook of Korea).

Han’guk yŏn’gam 1960

(1960 yearbook of Korea). Seoul: Han’guk yŏn’gam p’yŏnch’an wiwŏnhoe,

1961

Han Kisŏp.

Chŏnt’ong sŏdo sori chŏnjip

(Complete collection of traditional songs from the western provinces). 2 vols. Seoul: Eunha Publishing Co.,

1997

Han Manyŏng. “Sŏnsori sant’aryŏng” (Standing Mountain Songs). In

Han’guk minjok munhwa taebaekkwa sajŏn

, vol. 12, edited by the Han’guk chŏngshin munhwa yŏn’guwŏn (Academy of Korean Studies), 260–261. Seoul: Samhwa Printing Co.,

1992

Han Munp’yŏng. “Yi Hwaja.” In

Han’guk minjok munhwa taebaekkwa sajŏn

, vol. 18, edited by the Academy of Korean Studies, 374. Seoul: Samhwa Printing Co.,

1992

Han, Myŏnghŭi. “

Performance of Bridge-Treading Festival.

”

Korea Journal

9, no. 4 (

1969

): 36–38.

Han, Woo-keun. The History of Korea. Seoul: Eul-Yoo Publishing Co., 1970.

Harker, Dave.

Fakesong: The Manufacture of British ‘Folksong’ 1700 to the Present Day.

Milton Keynes: Open University Press,

1985

Henry, Todd A. “Respatializing Chosŏn’s Royal Capital: The Politics of Japanese Urban Reforms in Early Colonial Seoul, 1905–1919.” In

Sitings: Critical Approaches to Korean Geography

, edited by Timothy R. Tangherlini and Sallie Yea, 15–38. Honolulu: University of Hawai‘i Press,

2008

Hesketh, Rollo. “

A. A. Phillips and the ‘Cultural Cringe’: Creating an ‘Australian Tradition’.

”

Meanjin

72, no. 3 (

2013

): 92–103.

Hesselink, Nathan.

P’ungmul: South Korean Drumming and Dance.

Chicago: University of Chicago Press,

2006

———.

SamulNori: Con temporary Korean Drumming and the Rebirth of Itinerant Performance Culture.

Chicago: University of Chicago Press,

2012

Hobsbawm, Eric. “Introduction: Inventing Traditions.” In

The Invention of Tradition

, edited by E. Hobsbawm and T. Ranger, 1–14. Cambridge, UK: Cambridge University Press,

1983

———. “Mass-Producing Traditions: Europe, 1870–1914.” In

The Invention of Tradition

, edited by E. Hobsbawm and T. Ranger, 263–307. Cambridge, UK: Cambridge University Press,

1983

Hong Hyŏnshik and Pak Hŏnbong.

Chwach’ang Kyŏnggi kin chapka

(Long chapka from Kyŏnggi province sung seated).

Muhyŏng munhwajae chosa pogosŏ

57 (

1969

): 355–409.

Howard, Keith. “Authenticity and Authority: Conflicting Agendas in the Preservation of Music and Dance at Korea’s State Sacrificial Rituals.” In

Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions

, edited by Keith Howard, 113–139. Aldershot, UK: Ashgate,

2012

———.

Bands, Songs, and Shamanistic Rituals: Folk Music in Korean Society.

Seoul: Royal Asiatic Society,

1989

———.

Creating Korean Music: Tradition, Innovation and the Discourse of Identity.

Al-dershot, UK: Ashgate,

2006

———. “Gender Issues in the Conservation of Korean Music: Presumptive Observations.” In

Lux Oriente: Begegnungen der Kulturen in der Musikforschung

(A light on the Orient: Encounters of cultures in musicology), edited by Klaus Wolfgang Niemöller, Uwe Pätzold, and Chung Kyo-chul, 181–195. Cologne, Germany: Gustav Bosse Verlag,

1996

———. “Juche and Culture: What’s New?” In

North Korea in the New World Order

, edited by Hazel Smith, Chris Rhodes, Diana Pritchard, and Kevin Magill, 169–195. London: Macmillan,

1996

———. “Korean Folk Songs for a Con temporary World.” In

Con temporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond

, edited by Nathan Hesselink, 149–172. Berkeley: Institute of East Asian Studies, University of California,

2001

———. “

Minyo in Korea: Songs of the People and Songs for the People.

”

Asian Music

30, no. 2 (

1999

): 1–37.

———. “

Namdo Tŭl Norae: Ritual and the Korean Intangible Cultural Asset System.

”

Journal of Ritual Studies

3, no. 2 (

1989

): 203–216.

———. Preserving Korean Music: Intangible Cultural Properties as Icons of Identity. Al-dershot, UK: Ashgate, 2006.

Howard, Keith, ed.

Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions.

“Introduction,” 1–21. Aldershot, UK: Ashgate,

2012

Hughes, David Weirick. “The Heart’s Home Town: Traditional Folksong in Modern Japan.” PhD dissertation, University of Michigan, 1985.

———. “

Japanese ‘New Folk Songs,’ Old and New.

”

Asian Music

22, no. 1 (

1991

): 1–49.

———. “

‘Esashi Oiwake’ and the Beginnings of Modern Japanese Folk Song.

”

World of Music

34, no. 1 (

1992

): 35–56.

Hulbert, Homer B. “Korean Vocal Music.” In

The Korean Repository

, vol. 3, 45–53. New York: Paragon Book Reprint Corp.,

1964

(1896).

Hwang Miyŏn.

Kwŏnbŏn-gwa kisaeng-ŭro pon shingminji kŭndaesŏng: Ilche kangjŏmgi Chŏlla pukto-rŭl chungshim-ŭro

(Colonial modernity from the viewpoint of kwŏnbŏn and kisaeng: Focusing on the period of Japanese colonial rule in north Chŏlla province). Seoul: Minsokwŏn,

2013

Hwang Munp’yŏng. “Taejung kayo” (Popular songs). In

Han’guk minjok munhwa taebaekkwa sajŏn

, vol. 6, edited by the Academy of Korean Studies, 482–484. Seoul: Samhwa Printing Co.,

1992

———. “Yusŏnggi-wa kayo-ŭi yŏkchŏng” (A history of gramophones and popular songs). In CD booklet, Shin Nara Records, SYNCD-001524,

Yusŏnggi-ro tŭttŏn kayosa, 1925–1945

(A history of ballads through the gramophone, 1925–1945),

1992

: 20–46. Article is followed by biographies of main singers, writers, and composers, 47–108.

Hwang Yongju. Han’guk kyŏng/sŏdo ch’angak taegye (A compendium of the vocal music from Korea’s Kyŏnggi and western provinces). 2 vols. Seoul: Tosŏ ch’ulp’an orŭn’gil, 1993.

Im, Chaehae. “

Tradition in Korean Society: Continuity and Change.

”

Korea Journal

31, no. 3 (

1991

): 13–30.

Im Chunsŏ. “Chŏnt’ong yŏnhŭi 50-nyŏn” (Fifty years of traditional plays). Paper presented at a National Gugak Center forum celebrating fifty years of independence, Seoul, September 27–28, 1995, pp. 329–365 in the unedited pre-forum collection of papers.

Im, Suk-jay, and Yŏlgyu Kim. “Korean Folk Culture, A Dialogue.” In

Folk Culture in Korea

(Korean Culture Series 4), edited by Chŏn Shinyong, 131–138. Seoul: Kukche munhwajaedan ch’ulp’anbu,

1974

Im Tonggwŏn. “Folk Plays.” In

Traditional Performing Arts of Korea

, edited by the Korean National Commission for UNESCO, 81–99. Seoul: UNESCO,

1983

———. “Folksong.” In Survey of Korean Arts: Folk Arts, edited by the National Academy of Arts, 73–114. Seoul: National Academy of Arts, 1974.

———. Han’guk minyo chip (Collections of Korean folksongs). Vols. 1–7. Seoul: Chimmundang, 1961–1995.

———.

Han’guk minyo sa

(A history of Korean folksongs). Seoul: Chimmundang,

1964

———. “

Kanggangsullae.

”

Muhyŏng munhwajae chosa pogosŏ

7 (

1965

): 137–241.

———.

Han’guk minyo yŏn’gu

(A study of Korean folksongs). Seoul: Sŏnmyŏng munhwasa,

1974

———.

Han’gug-ŭi minyo

(Korea’s folksongs). Seoul: Ilchisa,

1989

———. “

Pukhan minyo-ŭi yŏn’gu

” (A study of North Korean folksongs).

Han’guk minyohak

(Korean folksong studies) 1 (

1991

): 38–77.

———. Yŏsŏng-gwa minyo (Women and folksongs). Seoul: Chimmundang, 1989.

International Folk Music Council.

Journal of the International Folk Music Council

7 (

1955

): 23.

Ivy, Marilyn.

Discourses of the Vanishing: Modernity, Phantasm, Japan.

Chicago: University of Chicago Press,

1995

Janelli, Roger L. “The Origins of Korean Folklore Scholarship.” Pikyo minsokhak (Comparative folk studies) 2 (1986): 81–112.

Janelli, Roger L., and Dawnhee Yim Janelli. “

The Functional Value of Ignorance at a Korean Seance.

”

Asian Folklore

38, no. 1 (

1979

): 81–90.

Janelli, Roger L., with Dawnhee Yim Janelli.

Making Capitalism: The Social and Cultural Construction of a South Korean Conglomerate.

Stanford, CA: Stanford University Press,

1993

Jeon Yeo-ok (Chŏn Yŏok).

Ilbon-ŭn ŏpta

(There is no Japan). Seoul: Chishik kongjakso,

1993

Kawamura Minato.

Malhanŭn kkot: Kisaeng

(Speaking flowers: Courtesans). Translated by Yu Chaesun. Seoul: Sodam,

2002

Kendall, Laurel. “

Caught Between Ancestors and Spirits: Field Report of a Korean Mansin’s Healing Kut.

” Korea Journal 17, no. 8 (

1977

): 8–23.

———. “Introduction: Material Modernity, Consumable Tradition.” In

Consuming Korean Tradition in Early and Late Modernity: Commodification, Tourism, and Performance

, edited by Laurel Kendall, 1–17. Honolulu: University of Hawai‘i Press,

2011

Kikuchi, Yuko. Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism. London: RoutledgeCurzon,

2004

Killick, Andrew.

In Search of Korean Traditional Opera: Discourses of Ch’anggŭk.

Honolulu: University of Hawai‘i Press,

2010

Kim, Chin. “

Legal Privileges under the Early Yi Dynasty Criminal Codes.

”

Korea Journal

15, no. 4 (

1975

): 34–44; and 15, no. 5 (1975): 19–28.

Kim Chŏmdo.

Uri minyo taebaekkwa

(Great encyclopedia of Korean folksongs). Seoul: Se-Kwang Music Publishing Co.,

1990

Kim Chongch’ŏl. “

Chil nop’ŭn uri ch’ansongga pogŭp shigŭphae

” (We must urgently popularize our fantastic hymns).

Sae kajŏng

(New family) 405 (August 1990): 37.

Kim, Chong-Ho. “Cultural Politics or Cultural Contradiction? Prejudice against Shamanism in Korean Society.” In

Proceedings of the Second Biennial Conference of the Korean Studies Association of Australasia

, edited by Young-A Cho, 38–50. Melbourne: Monash University,

2001

Kim Chongyŏm. “

Oegug-ŭi munhwajae kwalli chedo

” (Foreign cultural properties management systems).

Munhwajae

(Cultural properties) 17 (

1984

): 248–260.

Kim Chuyŏng. “

Chorye chejŏng tŭng chŏnsŭng wihan taech’aek maryŏn shigŭp

” (Urgent need to prepare measures such as regulations to secure tradition).

Ulsan shinmun

(Ulsan newspaper), September 24, 2012, 10.

Kim Hŭit’ae. “Pŏmnyŏng-gwa chedo” (Statute and system). In

Munhwajaehak: Iron-gwa shilche

(Studying cultural properties: Theory and practice), edited by Kim Hŭit’ae, Cho Ung, and Kim Kyŏngch’il, 28–72. Seoul: Hyangjisa,

1998

Kim Hŭnggyu.

Han’guk munhag-ŭi ihae

(An understanding of Korean literature). Seoul: Minŭm,

1992

Kim, Hwansoo Ilmee.

Empire of the Dharma: Korean and Japanese Buddhism, 1877–1912.

Cambridge, MA: Harvard University Press,

2012

Kim Hyeri and Chang Hwiju.

Sŏnsori sant’aryŏng

(Standing Mountain Songs). Seoul: Minsokwŏn,

2008

Kim Insuk and Kim Hyeri.

Sŏdo sori

(Folksongs from the Western Provinces). Seoul: Minsokwŏn,

2009

Kim Kwanghŭi. “

Han’guk nongag-ŭi pop’yŏnsŏng-gwa t’ŭksusŏng

” (The universality and particularity of Korean folk music).

Wŏlgan munhwajae

(Cultural heritage monthly) 11, no. 362 (

2014

): 13–15.

Kim, Kwang-ok. “Colonial Body and Indigenous Soul: Religion as a Contested Terrain of Culture.” In

Colonial Rule and Social Change in Korea, 1910–1945

, edited by Hong Yung Lee, Yong Chool Ha, and Clark W. Sorensen, 264–313. Seattle: University of Washington Press,

2013

———. “

Socio-Cultural Implications of the Recent Invention of Tradition in Korea: An Overview.

”

Papers of the British Association for Korean Studies

1 (

1991

): 7–28.

Kim, Kyung-hee. “Theory of Pansori.” In

Korean Musicology Series 2: Pansori

, edited by the National Gugak Center, 31–69. Seoul: Kungnip kugagwŏn,

2008

Kim Muhŏn.

Han’guk minyo munhak non

(A literary discourse on Korean folksongs). Seoul: Chimmundang,

1991

———.

Han’guk nodong minyo non (munhak, sahoehakchŏk haesŏk)

(A discourse on Korean working songs: A literary and sociological interpretation). Seoul: Chimmundang,

1986

Kim Munsŏng. “

Mudae taeshin kaeksŏk chik’in Kim Yŏngim-sshi, che-2-ŭi Kim Okshimin’ga?

” (Could Kim Yŏngim who was told to take a seat rather than the stage be the second Kim Okshim?).

OhmyNews

, July 14, 2006. www.ohmynews.com.

Kim Myŏnggon. Han, Kim Myŏnggon-ŭi kwangdae kihaeng (Han: Kim Myŏnggon’s kwangdae tour). Seoul: Tosŏ ch’ulp’ansa, 1994.

———. “Muk Kyewŏl.” In

Myŏngin myŏngch’ang

(Famous people, famous singers), edited by Yu Iksŏ et al., 191–198. Seoul: Dong-a Ilbo,

1987

Kim Okkyŏng. “

Muhŏng munhwajae chŏkkŭkchŏk kwanshim-gwa chiwŏn-ŭl

” (A positive interest in and support for intangible cultural properties).

Mudŭng ilbo

(Peerless daily), March 24, 2010, 16.

Kim, Sungmun.

Die Geschichte, Struktur und Politische Funktion der Koreanische Medien

(The history, structure and political function of the Korean media). Frankfurt: Peter Lang,

1993

Kim, Sung Soon. “Priests, Entertainers, or Prostitutes: The Three Roles of the Female Performers (Sadang) in Chosŏn Korea.”

Seoul Journal of Korean Studies

27, no. 1 (

2014

): 37–58.

Kim T’aejun. “Kogŭk Paebaengi kut” (The old play Ritual for Paebaengi),

Wŏlgan yadam

(Historical tales monthly) 46 (

1938

): 64–69.

Kim Tonguk.

Han’guk kayo-ŭi yŏn’gu

(A study of Korean popular ballads). Seoul: Ŭlyu munhwasa,

1961

Kim Ŭnjŏng. “

An Pich’wi.

”

Chŏnt’ong munhwa

(Traditional culture) 5 (

1986

): 22–25.

Kimura, Mitsuhiko. “

Standards of Living in Colonial Korea: Did the Masses Become Worse Off or Better Off under Japanese Rule?

”

Journal of Economic History

53, no. 3 (

1993

): 629–652.

Kim Yangsam. “

K’ol taekshi-ga kaegŭ mudae

” (Call taxi serves as comedy stage).

Kyŏnghyang shinmun

(Capital and country news), August 2, 1986, 7.

Kim, Yersu.

Cultural Policy in the Republic of Korea.

Paris: UNESCO,

1976

Kim Yŏngjo. “

Chaeya myŏngch’ang ‘Kim Okshim’-ŭl ashinayo?

” (Have you ever heard of the late noted singer Kim Okshim?).

OhmyNews

, July 26, 2004. www.ohmynews.com.

Kim Yŏngt’ae. “

Munhwa sanŏp chinhŭng kigŭm 500 ŏk chosŏng

” (Creation of a fifty billion fund for the promotion of the culture industry).

Maeil kyŏngje

(Economy daily), May 12, 1999, 3.

Kim Yŏngun and Kim Hyeri.

Kyŏnggi minyo

(Folksongs from Kyŏnggi Province). Seoul: Minsokwŏn,

2008

Kim, Young-soo. “Legitimacy and Korean Traditional Culture and Thought.” In

The Identity of the Korean People: A History of Legitimacy on the Korean Peninsula

, edited by the Research Centre for Peace and Unification, 106–170. Seoul: Samhwa Printing Co.,

1983

King, Ross. “Dialect, Orthography, and Regional Identity: P’yŏngan Christians, Korean Spelling Reform, and Orthographic Fundamentalism.” In

The Northern Region of Korea: History, Identity, and Culture

, edited by Sun Joo Kim, 139–180. Seattle: University of Washington Press,

2010

Ko Chŏngok.

Chosŏn minyo yŏn’gu

(A study of Korean folksongs). Seoul: Susŏnsa,

1947

Koo, Hagen. “The State, Minjung, and the Working Class in South Korea.” In

State and Society in Con temporary Korea

, edited by Hagen Koo, 131–162. Ithaca, NY: Cornell University Press,

1993

The Korean Music Research Society.

Korean Folk Songs.

Seoul: National Music Research Society of Korea,

1954

The Korean Repository.

Vols. 3–5. New York: Paragon Book Reprint Corp.,

1964

(1896, 1897, 1899).

Ku Hŭisŏ. “

Mokp’yo nopko tturyŏthan sorikkun

” (A distinguished singer aims high).

Ilgan sŭp’och’ŭ

, January 19, 1991, 23.

———. “

Sŭsŭng-ŭi salm-gwa yesur-ŭi chase-rŭl

” (The life of teachers and a detailed account of their art). Ilgan sŭp’och’ŭ (Sports daily), October 27, 1990, 23.

———. “

Sŭsŭng-ŭi salm-i nae chwaumyŏng

” (The life of a teacher is my motto). Ilgan sŭp’och’ŭ, March 2, 1991, 23.

Kungnip kugagwŏn (National Gugak Center). “

Ipch’ang sant’aryŏng

” (Mountain songs performed standing).

Kugangnuri

(Folk play) 84 (April 2007): 6–7.

———.

Kugak kyoyug-ŭi iron-gwa shilgi

(Theory and training of Korean traditional music education). Seoul: Kungnip

kugagwŏn,

1997

Kwon, Keedon. “

Regionalism in South Korea: Its Origins and Role in Her Democratization.

”

Politics & Society

32, no. 4 (

2004

): 545–574.

Kwŏn Osŏng. “Kugak chŏngch’aek chedo-ŭi pyŏnch’ŏn-gwa mirae-ŭi chŏnmang” (Transition and future outlook of the policy for Korean traditional music). Paper presented at a National Gugak Center forum celebrating fifty years of independence, Seoul, September 27–28, 1995, pp. 161–181 in the unedited pre-forum collection of papers.

———. “

Minyo-nŭn minjung-ŭi noraeida

” (Folksongs are the songs of the people). Ppuri kip’ŭn namu p’alto sori (The deep-rooted tree collection of Korean folksongs). Vol. 1. Seoul: Ppuri kip’ŭn namu,

1984

———. “Sŏdo minyo” (Folksongs from the western provinces). In

Han’guk minjok munhwa taebaekkwa sajŏn

, vol. 11, edited by the Han’guk chŏngshin munhwa yŏn’guwŏn, 702–703. Seoul: Samhwa Printing Co.,

1992

Kwŏn T’aeryong, Kwŏn Ŭnju, and Ko Yŏnghŭi.

Ŏrini kugak kyoyuk

(Korean traditional music education for children). Seoul: Tongmunsa,

2010

Kwŏn Tohŭi.

Han’guk kŭndae ŭmak sahoesa

(A social history of Korean music from modern times). Seoul: Minsokwŏn,

2012

Lee, Hye-Ku.

Essays on Korean Traditional Music.

Translated by Robert C. Provine. Seoul: Royal Asiatic Society,

1981

Lee, Ki-Baik. “The Creation of a Yangban Society.” In

Korea Old and New, A History

, edited by Carter J. Eckert et al., pp. 107–131. Seoul: Ilchogak,

1991

———.

A New History of Korea.

Translated by Edward W. Wagner and Edward J. Schultz. Seoul: Ilchogak,

1984

Lee, Namhee.

The Making of Minjung: Democracy and the Politics of Representation in South Korea.

Ithaca, NY: Cornell University Press,

2007

Lee, Wha-Byong.

Studien zur Pansori-Musik in Korea

(Studies of p’ansori in Korea). Frankfurt: Peter Lang,

1991

Lew, Young Ik. “Growth of the Forces of Enlightenment.” In

Korea Old and New: A History

, edited by Carter J. Eckert et al., 199–230. Seoul: Ilchogak,

1991

Maeil kyŏngje

(Economy daily), February 17, 1994, 25.

Ma Heng. “

Canguan Chaoxian guwu baogao

” (Report on a visit to an archeological site in Korea).

Beijing daxue yanjiusuo guoxue yuekan

(Beijing University’s Chinese Studies Institute Monthly) 4 (

1925

): 1–5.

Maliangkay, Roald. “Choosing the Right Folk: The Appointment of ‘Human Cultural Properties’ in Korea.” In

Folksong: Tradition, Revival, and Re-Creation

, edited by Ian Russell and David Atkinson, 95–107. Aberdeen, UK: Elphinstone Institute, University of Aberdeen,

2004

———. “

Koreans Performing for Foreign Troops: The Occidentalism of the C.M.C. and K.P.K.

”

East Asian History

37 (

2011

): 59–72.

———. “

New Symbolism and Retail Therapy: Advertising Novelties in Korea’s Colonial Period.

”

East Asian History

36 (

2008

): 29–54.

———. “Pop for Progress: South Korea’s Propaganda Songs.” In

Korean Pop Music: Riding the Korean Wave

, edited by Keith Howard, 48–61. Folkestone, Kent, UK: Global Oriental,

2006

———. “

The Revival of Folksongs in South Korea: The Case of Tondollari.

”

Asian Folklore Studies

61 (April 2002): 223–245.

———. “

Staging Korean Traditional Performing Arts Abroad: Important Intangible Intercultural Performance Issues.

”

Sungkyun Journal of East Asian Studies

7, no. 2 (

2008

): 49–68.

———. “

Their Masters’ Voice: Korean Traditional Music SPs (Standard Play Records) under Japanese Colonial Rule.

” In “Music and Politics on the Korean Peninsula,” special issue,

The World of Music

49, no. 3 (

2007

): 53–74.

———. “

There Is No Amen in Shaman: Music Preservation and Christianity in South Korea.

”

Asian Music

45, no. 1 (

2014

): 77–97.

Mason, Edward S., Mahn Je Kim, Dwight H. Perkins, Kwang Suk Kim, and David C. Cole.

The Economic and Social Modernization of the Republic of Korea: Studies in the Modernization of the Republic of Korea, 1945–1975.

Cambridge, MA: Council on East Asian Studies, Harvard University Press,

1980

Messenger, Phyllis Mauch, and George S. Smith.

Cultural Heritage Management: A Global Perspective.

Tampa: University Press of Florida,

2010

Miksic, John N. “Introduction.” In

Rethinking Cultural Resource Management in Southeast Asia: Preservation, Development, and Neglect

, edited by John N. Miksic, Geok Yian Goh, and Sue O’Connor, xiii–xxi. London: Anthem Press,

2011

Min’gan tanch’e saemaŭl undong chungang hyŏbŭihoe (Central Council for Civil Groups’ New Village Movement).

Saemaŭl rek’ŭreisyŏn kyobon

(Manual for New Village Recreation). Internal publication,

n.d.

N.p.

Min Kyŏngch’an. “

Chosŏn ch’ongdokpu-ŭi ŭmak kyoyuk-kwa ilche kangjŏmgi ttae Pusan-esŏ palgandoen ‘Ch’angga kyojae sŏnjib’-e taehayŏ

(On the music education of the Government-General of Korea and the “Anthology of ch’angga for educational purposes” published in Pusan during the period of Japanese colonial rule),

Ŭmakhak

(Musicology) 8 (

2001

): 67–83.

Moon, Yumi.

Populist Collaborators: The Ilchinhoe and the Japanese Colonization of Korea, 1896–1910.

Ithaca, NY: Cornell University Press,

2013

Munhwa ch’eyukpu (Ministry of Culture and Sports). Munhwajae kwan’gye pŏmnyŏngjip (Collection of laws and regulations regarding the management of cultural properties). Seoul: The Korea Herald, 1983.

———.Che-36-hoe chŏn’guk minsok yesul kyŏngyŏn taehoe (36th national folk arts contest). Contest program. Seoul: Ministry of Culture and Sports, 1995.

Munhwajaech’ŏng (Cultural Heritage Administration). “

Chŏnsŭng chiwŏn kyehoek annae

” (Transmission support planning guide). Internal publication,

2012

. N.p.

———. “

2013-nyŏndo munhwajae wiwŏnhoe: che-2-ch’a muhyŏng munhwajae punkwa wiwŏnhoe hoeŭirok

(The

2013

cultural properties committee: Second proceedings of the committee of the intangible cultural properties division). Internal publication, 1–53, 2013.

Munhwajae kwalliguk (Cultural Properties Management Office).

Chosŏn ch’ongdokpu mit mun’gyobu palhaeng munhwajae kwan’gye charyojip

(Collection of materials related to cultural properties as published by the Government-General of Korea and the Ministry of Culture). Seoul: Munhwajae kwalliguk,

1992

———.

Chungyo muhyŏng munhwajae hyŏnhwang

(Present state of important intangible cultural properties)

1996

. Seoul: Munhwajae

kwalliguk,

1996.

———.

Chungyo muhyŏng munhwajae hyŏnhwang 1997.

Seoul: Munhwajae

kwalliguk,

1997

———. “

Kuhwangshil kwan’gye pŏmnyŏng mit chaesan mongnokchip

” (Property inventory and statute regarding the former royal house hold). Internal publication,

1992

. N.p.

———. Munhwajae (Cultural properties). Vols. 1, 5, 7, 10, 11, 12, 15, 18. Seoul: Munhwajae kwalliguk, 1965–1985.

———.

Munhwajae kwalli yŏnbo

(Annual report on the management of cultural properties). Seoul: Munhwajae

kwalliguk,

1994

———.

Poyuja ŏmnŭn hubo chogyo yenŭng chosa

(Study of the art of candidate holders and assistant teachers without a holder). Seoul: Munhwajae

kwalliguk,

1996

———.

Uri nara-ŭi munhwajae

(Korea’s cultural properties). Seoul: Munhwajae

kwalliguk,

1970

Munhwa kongbobu (Ministry of Culture and Information).

Chungyo muhyŏng munhwajae haesŏl: ŭmak

(Commentary on important intangible cultural properties: Music). Seoul: Munhwajae kwalliguk,

1985

———. Munhwa kongbo 30-nyŏn (Thirty years of culture and public information). Seoul: Ministry of Culture and Information, 1979.

———. “

Yesan kangmok myŏngsesŏ

” (Detailed account of all budgetary items). Unpublished, Munhwajae yŏn’guso, Taejŏn,

1988

Mun Okpae.

Han’guk kŭmjigog-ŭi sahoe sa

(A social history of banned Korean music). Seoul: Yesol,

2004

Mun Sunt’ae. “Han” (Bitterness). In

Han’guk minjok munhwa taebaekkwa sajŏn

, vol. 23, edited by the Han’guk chŏngshin munhwa yŏn’guwŏn, 852–857. Seoul: Samhwa Printing Co.,

1992

Nettl, Bruno. The Study of Ethnomusicology: Twenty-Nine Issues and Concepts. Urbana: University of Illinois Press, 1983.

No Chaemyŏng.

Paebaengi kut

(Ritual for Paebaengi). Seoul: Arŭm ch’ulp’ansa,

2002

———. “

1962-nyŏn Han’guk minyo yŏn’guhoe ‘minyo Yo-ŭi hyangyŏn’ inswaemul charyo haeje

” (Bibliographical notes on the Korean Folksong Research Society’s 1962 publication, “Delights of the folksong show”).

Han’guk ŭmak sa hakpo

(Bulletin of Korean music history) 48 (

2012

): 395–407.

Nolden, Detlef. “Das Koreanische Volksstück Paebaengi-kut” (The Korean folk play Ritual for Paebaengi). Master’s thesis, University of Bochum, 1985.

No Tongŭn.

Han’guk kŭndae ŭmak sa

(A modern history of Korean traditional music). Seoul: Tosŏ ch’ulp’an han’gilsa,

1996

Office of Cultural Properties.

The Preservation and Transmission System for the Intangible Cultural Properties of the Republic of Korea.

Internal publication. Seoul: Munhwajae kwalliguk,

1994

O Pongnyŏ.

Sŏdo sori

(Folksongs from the Western Provinces). Seoul: Kwangjin munhwasa,

1978

Paek Hwarang. “Ŏpsŏjin minsok sadangp’ae” (The lost folklore of sadangp’ae). In

Yŏmyŏng-ŭi kugakkye

(The Korean traditional music scene in the new age), edited by Chang Sahun, 186–197. Seoul: Se-Kwang Music Publishing Co.,

1989

Paek Taeung. “Hwanghaedo sori” (Songs from Hwanghae province).

Ppuri kip’ŭn namu p’aldo sori

(The deeply rooted tree collection of Korean folksongs), vol. 1, edited by Ppuri kip’ŭn namu, 29–41. Seoul: Ppuri kip’ŭn namu,

1984

———. “Kyŏnggido sori” (Songs from Kyŏnggi province).

Ppuri kip’ŭn namu p’aldo sori

, vol. 2, edited by Ppuri kip’ŭn namu, 9–35. Seoul: Ppuri kip’ŭn namu,

1984

———. “P’yŏngando sori” (Songs from P’yŏngan province).

Ppuri kip’ŭn namu p’aldo sori

, vol. 1, edited by Ppuri kip’ŭn namu, 57–66. Seoul: Ppuri kip’ŭn namu,

1984

Pai, Hyung Il.

Constructing “Korean” Origins: A Critical Review of Archeology, Historiography, and Racial Myth in Korean State-Formation Theories.

Cambridge, MA: Harvard University Press,

2000

———.

Heritage Management in Korea and Japan: The Politics of Antiquity and Identity.

Seattle: Washington University Press,

2014

———. “The Politics of Korea’s Past: The Legacy of Japanese Colonial Archaeology in the Korean Peninsula.” East Asian History 7 (1994): 25–48.

———. “Resurrecting the Ruins of Japan’s Mythical Homelands: Colonial Archaeological Surveys in the Korean Peninsula and Heritage Tourism.” In

The Handbook of Post-colonialism and Archaeology

, edited by Jane Lydon and Uzma Rizvi, 93–112. Walnut Creek, CA: Left Coast Press,

2010

Pak Ch’anho.

Han’guk kayo sa

(A history of Korean popular songs) 1. Seoul: Mizi Books,

2009

Pak Chŏnghong. “Paro chabaya hal Paebaengi kut” (The Ritual for Paebaengi we must get right).

Wŏlgan munhwajae

6/7 (

1973

): 38–40.

Pak Kyŏngsu. Sorikkundŭl, kŭ salm-ŭl ch’ajasŏ: han, sori, sorikkun (Singers, looking at their life: Bitterness, songs and singers). Seoul: Irwŏl sŏgak, 1993.

Pak Pyŏngho.

Han’gug-ŭi chŏnt’ong sahoe-wa pŏp

(Korea’s traditional society and legislation). Seoul: Seoul taehak ch’ulp’anbu,

1988

Pak Sŏnghŭi. I saram ihu (From this person onwards). Seoul: World Book Publishers, 1991.

Pak Sŏngso.

Han’guk chŏnjaeng-gwa taejung kayo, kirok-kwa chŭngŏn

(The Korean War and popular songs: Records and testimonies). Seoul: Ch’aeg-i innŭn p’unggyŏng,

2010

Pak Sunho. “‘Kanggangsullae’ sogo” (Some thoughts on “Kanggangsullae”). In

Han’guk minyohak

1, edited by the Han’guk minyo hakhoe, 1–19. Seoul: Kyomunsa,

1991

Pan Chaeshik.

Chaedam ch’ŏnnyŏn sa

(A thousand-year history of comic storytelling). Seoul: Paekchungdang,

2000

Park, Chan E.

Voices from the Straw Mat: Towards an Ethnography of Korean Story Singing.

Honolulu: University of Hawai‘i Press,

2003

Park, Chung Hee (Pak Chŏnghŭi).

Major Speeches by Korea’s Park Chung Hee.

Seoul: Hollym Corporation Publishers,

1970

———.

Our Nation’s Path.

Seoul: Dong-a Publishing Company,

1962

———.

Rebuilding a Nation.

Seoul: n.p.

Park, Sang Mi. “

The Paradox of Postcolonial Korean Nationalism: State-Sponsored Cultural Policy in South Korea, 1965–Present.

”

Journal of Korean Studies

15, no. 1 (

2010

): 67–93.

Phillips, Arthur. “

The Cultural Cringe.

”

Meanjin

9, no. 4 (Summer

1950

): 299–302.

Pigliasco, Guido Carlo. “

Intangible Cultural Property, Tangible Databases, Visible Debates: The Sawau Project.

”

International Journal of Cultural Property

16 (

2009

): 255–272.

Pihl, Marshall R.

The Korean Singer of Tales.

Cambridge, MA: Harvard University Press,

1994

Pilzer, Joshua D.

Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.”

New York: Oxford University Press,

2012

———. “The Twentieth-Century ‘Disappearance’ of the Gisaeng during the Rise of Korea’s Modern Sex-and-Entertainment Industry.” In

The Courtesan’s Arts: Cross-Cultural Perspectives

, edited by Martha Feldman and Bonnie Gordon, 295–311. New York: Oxford University Press,

2006

Pimpaneau, Sara. “Living National Treasures in Japan.” Master’s thesis, University of London, 1995.

Ppuri kip’ŭn namu (The deep-rooted tree).

T’ŏrŏnok’o hanŭn mal 2: Han’guk hyŏndae yŏksa-ŭi chuch’ŭttoldŭrin sŭmulhan sŏn’guja-ga ta t’ŏrŏnohŭn chŏngshin-ŭi mohŏmdam

(Frank discussions 2: The truthful adventures of 21 important figures in modern Korean history). Seoul: Ppuri kip’ŭn namu,

1980

Reischauer, Edwin O. “Japanese Archeological Work on the Asiatic Continent in 1937 and 1938.” Harvard Journal of Asiatic Studies 4 (1939): 87–100.

Robinson, Michael E. “Broadcasting, Cultural Hegemony, and

Colonial Modernity in Korea,

1924–1945.” In Colonial Modernity in Korea, edited by Gi-Wook Shin and Michael Robinson, 52–69. Cambridge, MA: Harvard University Press,

1999

———. “Chapter 13: Growth of the Forces of Enlightenment.” In

Korea Old and New: A History

, edited by Carter J. Eckert et al., 199–230. Seoul: Ilchogak,

1991

———. “Chapter 15: The First Phase of Japanese Rule, 1910–1919.” In

Korea Old and New: A History

, edited by Carter J. Eckert et al., 254–275. Seoul: Ilchogak,

1991

———. “Chapter 17: Forced Assimilation, Mobilization, and War.” In

Korea Old and New, A History

, edited by Carter J. Eckert et al., 305–346. Seoul: Ilchogak,

1991

———.

Cultural Nationalism in Colonial Korea, 1920–1925.

Seattle: University of Washington Press,

1988

———. “Enduring Anxieties: Cultural Nationalism and Modern East Asia.” In

Cultural Nationalism in East Asia

, edited by Harumi Befu, 167–186. Berkeley: Institute of East Asian Studies, University of California,

1993

———.

Korea’s Twentieth-century Odyssey: A Short History.

Honolulu: University of Hawai‘i Press,

2007

Rosaldo, Renato.

Culture & Truth: The Remaking of Social Analysis.

Boston, MA: Beacon Press,

1993

Rice, Timothy. “

Time, Place, and Metaphor in Musical Experience and Ethnography.

”

Ethnomusicology

47, no. 2 (

2003

): 151–179.

Ruskin, Jesse D., and Timothy Rice. “

The Individual in Musical Ethnography.

”

Ethnomusicology

56, no. 2 (

2012

): 299–327.

Ryu Ŭiho.

Muk Kyewŏl Kyŏnggi sori yŏn’gu

(A study of Muk Kyewŏl’s Kyŏnggi folksongs). Seoul: Kip’ŭn saem,

2003

Samsung Co., Ltd.

Misconceptions about Korean History.

Samsung Co., Ltd.,

1991

Sasse, Werner. “

Minjung Theology and Culture.

”

Papers of the British Academy of Korean Studies

1 (

1991

): 29–43.

Scheper-Hughes, Nancy. “The Margaret Mead Controversy: Culture, Biology and Anthropological Inquiry.” In

Perspectives in Cultural Anthropology

, edited by Herbert Applebaum, 443–454. Albany: State University of New York Press,

1987

Schmid, Andre.

Korea Between Empires: 1895–1919.

New York: Columbia University Press,

2002

Seidel, Anna. “

Kokuho: Note à Propos du Terme ‘Trésor National’ en Chine et au Japon

” (National treasures: A note regarding the term ‘national treasure’ in China and Japan).

Bulletin de l’École Française d’Extrême-Orient

(Journal of the French School of East Asia) 69 (

1981

): 229–261.

Sekino, Tadashi. “Ancient Remains and Relics in Korea: Efforts toward Research and Preservation.” Paper presented at a conference of the Institute of Pacific Relations, Hangzhou, China, October 21–November 4, 1931.

Shin Ch’an’gyun.

Minsog-ŭi kohyang

(The birthplace of folklore). Seoul: Chinmun ch’ulp’ansa,

1978

Shin Chŏnghŭi. “

An Pich’wi yŏsa 13-se-e immun Kyŏnggi minyo-ro muhyŏng munhwajae

” (Madame An Pich’wi from her debut at the age of thirteen to intangible cultural property of Kyŏnggi minyo).

Maeil kyŏngje

, June 9, 1984, 9.

———. “

Myŏngin myŏngjang 28: Sŏdo sori Kim Chŏngyŏn yŏsa

” (Famous people famous artisans 28: Sŏdo sori’s Madame Kim Chŏngyŏn).

Maeil kyŏngje

, July 17, 1982, 9.

Shin, Gi-wook.

Ethnic Nationalism in Korea: Genealogy, Politics, and Legacy.

Stanford, CA: Stanford University Press,

2006

———. “Nation, History, and Politics.” In

Nationalism and the Construction of Korean Identity

, edited by Hyung Il Pai and Timothy R. Tangherlini, 148–165. Berkeley: Institute of East Asian Studies, University of California,

1998

Shin Kyŏngnim.

Minyo kihaeng

(Folksong tour). Seoul: Han’gilsa,

1994

Shin Taech’ŏl.

Uri ŭmak, kŭ mat-kwa sorikkal

(Our music: Its flavor and songs). Seoul: Kyobo mun’go,

1993

Sim, Woo-Sung (Shim Usŏng). “Namsadang.” In

Survey of Korean Arts: Folk Arts

, edited by the National Academy of Arts, 455–471. Seoul: National Academy of Arts,

1974

Shim Usŏng.

Namsadangp’ae yŏn’gu

(A study of namsadang groups). Seoul: Tonghwa ch’ulp’an kongsa,

1974

———. “

Namsadang ‘tŏppoegi’ yŏn’gu

” (A study of namsadang’s “Tŏppoegi”).

Sŏnangdang

(Shrine of a patron god) 2 (

1972

): 91–123.

Sŏ Chiyŏng. “

Sangshil-gwa pujae-ŭi shigonggan: 1930-nyŏndae yorijŏm-gwa kisaeng

” (The temporal space of loss and absence: Restaurants and kisaeng in the 1930s).

Chŏngshin munhwa yŏn’gu

(Studies of spiritual culture) 32, no. 3 (

2009

): 167–194.

Sŏ Chŏngbŏm.

Sumŏsanŭn oet’olbagi 1: Chŏnt’ong sahoe-ŭi hwanghon-e sŏn saramdŭl

(Single-bur chestnuts living in secret 1: People in the twilight of traditional society). Seoul: Ppuri kip’ŭn namu,

1977

Sohn, Tae-soo. “

Scholars Debate Definition of Mask Dance.

”

The Korea Herald.

August 31, 1994, 7.

Sŏk Chusŏn.

Han’guk pokshik sa

(A history of Korean dress and accessories). Seoul: Pojinjae,

1971

Sŏl Hojŏng. “Nŭlgŭn kisaeng Ch’ohyangi” (The old entertainment girl Ch’ohyang). In

Sumŏ sanŭn oet’olbagi

(Single-nut chestnut burs living in secret), vol. 1, edited by Ppuri kip’ŭn namu, 68–81. Seoul: Ppuri kip’ŭn namu,

1977

Sŏmundang.

Sajin-ŭro ponŭn Chosŏn shidae: saenghwal-gwa p’ungsok

(Chosŏn dynasty shown through pictures: Daily life and customs). 2 vols. Seoul: Sŏmundang,

1988

Song Bangsong (Song Pangsong). “Chosŏn hugi-ŭi ŭmak” (Music in the late Chosŏn period). In

Han’guk yesul saŏpsŏ III: Han’guk ŭmak sa

(An account of Korean art activities III: A history of Korean music), edited by the Taehan min’guk yesurwŏn, 279–408. Seoul: P’yŏnghwadang Printing Co.,

1985

———.

Han’guk ŭmak t’ongsa

(A comprehensive history of Korean music). Seoul: Ilchogak,

1988

———. “

1910-nyŏndae chŏngjae-ŭi chŏnsŭng yangsang: kisaeng chohab-ŭi chŏngjae kongyŏn-ŭl chungshim-ŭro

” (Looking at the tradition of benefit performances in the 1910s: Focusing on kisaeng organisations’ benefit shows).

Kugagwŏn nonmunjip

(Journal of the National Gugak Center) 17 (June 2008): 147–185.

Sŏng Kiryŏn. “

2007-nyŏn kaejŏng kyoyuk kwajŏng-e ttarŭn minyo kwallyŏn chido naeyong koch’al

” (An inquiry into the guidelines for folksong teaching on the basis of the Revised Curriculum of

2007

Han’guk minyohak

25 (2007): 187–224.

Sŏng Kyŏngnin. “

Chungyo muhyŏng munhwajae-ŭi pojon chŏnsŭng

” (The preservation and transmission of important intangible cultural properties).

Munhwajae

15 (

1982

): 1–6.

———.

Han’guk ŭmak non’go

(A study of Korean music). Seoul: Tonghwa ch’ulp’an kongsa,

1976

———.

Minyo kihaeng

(Folksong tour). Seoul: Han’gilsa,

1994

———. “

Sŏul sŏnsori: Kyŏnggi ipch’ang

” (Standing songs from Seoul: Songs from Kyŏnggi province performed standing).

Sŏnsori sant’aryŏng, Muhyŏng munhwajae chosa pogosŏ

30 (

1966

): 60–81.

Sŏng Kyŏngnin and Yi Pohyŏng. “Chŏngsŏn ‘Arirang’ mit Paebaengi kut chosa pogosŏ” (Research report on “Arirang” from Chŏngsŏn and Ritual for Paebaengi).

Muhyŏng munhwajae chosa pogosŏ

135 (

1980

): 121–155.

———. “

Paebaengi kut

” (Ritual for Paebaengi).

Muhyŏng munhwajae chosa pogosŏ

156 (

1984

): 577–624.

Song Sŏkha.

Han’guk minsok ko

(Studies on Korean folklore). Seoul: Ilshinsa,

1960

———.

Minsok sashil t’ŭkpyŏl chŏndo nok

(A special complete record of the state of folklore). Seoul: Han’guk minsok pangmulgwan,

1975

———. “Sadang go” (Scrutinizing sadang). In

Chosŏn minsok

(Korean folklore), 163–202. Seoul: Minsokwŏn,

1998

(1940).

Son Inae.

Hyangt’o minyo-e suyongdoen sadangp’ae sori

(The songs of sadangp’ae among folksongs). Seoul: Minsokwŏn,

2007

Son Minjŏng.

T’ŭrot’ŭ-ŭi chŏngch’ihak

(A study of the politics of trot). P’aju: Ŭmak segye,

2009

Sŏnsori sant’aryŏng pojonhoe (Society for the Preservation of Standing Mountain Songs). “

Chungyo muhyŏng munhwajae che-19-ho kihoek kongyŏn: Sŏnsori sant’aryŏng palp’yo kongyŏn

” (Planned performances of IICP no. 19: Public performance of Standing Mountain Songs). Internal publication,

2012

. N.p.

So Pyŏnghŭi and Chin Hyeyŏng. “

Chungyo muhyŏng munhwajae pojŏn chŏngch’aek kaesŏn pangan yŏn’gu

” (A study of ways to improve the policy towards the preservation of important intangible cultural properties).

Munhwa chŏngch’aek nonch’ong

(Cultural policy journal) 26, no. 1 (

2012

): 175–199.

Sorensen, Clark W. “Folk Religion and Political Commitment in South Korea in the 1980s.” In

Render Unto Caesar: The Religious Sphere in World Politics

, edited by Sabrina Petra Ramet and Donald W. Treadgold, 325–353. Washington, DC: The American University Press,

1995

———. “Rural Modernization under the Park Regime in the 1960s.” In

Reassessing the Park Chung Hee Era, 1961–1979: Development, Political Thought, Democracy, and Cultural Influence

, edited by Clark W. Sorensen and Hyung-A Kim, 145–165. Seattle: University of Washington Press,

2011

———. “

Success and Education in South Korea.

”

Comparative Education Review

38, no. 1 (

1994

): 10–35.

Sørensen, Henrik H. “

The Attitude of the Japanese Colonial Government Towards Religion in Korea (1910–1919).

”

Copenhagen Papers in East and Southeast Asian Studies

8 (

1993

): 49–69.

———. “‘Protecting the Nation’: Korean Buddhism under the Rule of Park Chung Hee, 1961–1979.” In

Korea: The Past and the Present

, 2 vols., edited by Susan Pares and J. E. Hoare, 191–204. Folkestone, Kent, UK: Global Oriental,

2008

Staub, Shalom. “Folklore and Authenticity: A Myopic Marriage in Public Sector Programs.” In

The Conservation of Culture: Folklorists and the Public Sector

, edited by Burt Feintuch, 166–179. Lexington: University Press of Kentucky,

1988

Steinberg, David I. “

Civil Society and Human Rights in Korea: On Con temporary and Classical Orthodoxy and Ideology.

”

Korea Journal

37, no. 3 (

1997

): 145–165.

Stokes, Martin. “Introduction: Ethnicity, Identity and Music.” In

Ethnicity, Identity and Music: The Musical Construction of Place

, edited by Martin Stokes, 1–27. Oxford: Berg,

1994

Suh, Sung.

Unbroken Spirits: Nineteen Years in South Korea’s Gulag.

Lanham, MD: Row-man and Littlefield,

2001

Taehan min’guk yesurwŏn (Korean Academy of Arts).

Han’guk yesul sajŏn III: Han’guk yŏn’gŭk, muyong, yŏnghwa sajŏn

(Dictionary of Korean arts III: Dictionary of Korean plays, dance and films). Seoul: P’yŏnghwadang Printing Co.,

1985

———.

Han’guk yesul sajŏn III: Han’guk ŭmak sajŏn

(Dictionary of Korean arts III: Dictionary of Korean music). Seoul: P’yŏnghwadang Printing Co.,

1985

Tangherlini, Timothy R. “Shamans, Students and the State: Politics and the Enactment of Culture in South Korea, 1987–1988.” In

Nationalism and the Construction of Korean Identity

, edited by Hyung-Il Pai and Timothy R. Tangherlini, 126–147. Berkeley: Institute of East Asian Studies, University of California,

1999

Tedesco, Frank. “

Questions for Buddhist and Christian Cooperation in Korea.

”

Buddhist-Christian Studies

17 (

1997

): 179–195.

Thornbury, Barbara E. “

The Cultural Properties Protection Law and Japan’s Folk Performing Arts.

”

Asian Folklore Studies

53 (

1994

): 211–225.

Tomlinson, John.

Cultural Imperialism: A Critical Introduction.

London: Pinter Publishers,

1991

Uchida, Mo. “Introduction.” In

Bunkazai hogo jitsumu hikkei

(Handbook of the administration of cultural properties protection), edited by the Bunkachō bunkazai hogo kenkyūkai, iii–v. Tokyo: Daiichi hoki shuppan kabushiki kaisha,

1978

Um, Haekyung. Korean Musical Drama: P’ansori and the Making of Tradition in Modernity. Farnham, Surrey, UK: Ashgate,

2013

UNESCO. “

Convention for the Safeguarding of the Intangible Cultural Heritage.

” Paris: UNESCO,

2003

Van Zile, Judy.

Perspectives on Korean Dance.

Middletown, CT: Wesleyan University Press.

Veldkamp, Elmer. “

Keeping It Real: The Exhibition of Artifact Replicas in National Museums of Korea.

”

Acta Koreana

17, no. 2 (

2014

): 557–581.

Verbeek, Bas. “

Koreaanse man zweert bij cosmetica

” (Korean men swear by cosmetics).

Trouw

, January 5, 2013, 12.

Vos, Frits. “

Tung-fang Shuo, Buffoon and Immortal, in Japan and Korea.

”

Oriens Extremus

26, no. 1/2 (1979): 189–204.

Walraven, Boudewijn. “Muga: The Songs of Korean Shamanism.” PhD dissertation, Leiden University, 1985.

Wells, Kenneth M. “The Cultural Construction of Korean History.” In

South Korea’s Minjung Movement: The Culture and Politics of Dissidence

, edited by Kenneth M. Wells, 11–29. Honolulu: University of Hawai‘i Press,

1995

West, Stephen H. “Drama.” In

The Indiana Companion to Traditional Chinese Literature

, vol. 1, edited by William H. Nienhauser, Jr., 13–30. Bloomington: Indiana University Press,

1986

Wilkinson, W. H.

The Corean Government: Constitutional Changes, July 1894 to October 1895.

Shanghai: Kelly & Walsh,

1897

Williams, Raymond.

Keywords: A Vocabulary of Culture and Society.

London: Croom-Helm,

1976

Wŏlgan munhwajaesa.

Wŏlgan munhwajae

(Cultural properties monthly) 8–9,

1972

Yang, Jongsung (Yang Chongsŭng).

Cultural Protection Policy in Korea: Intangible Cultural Properties and Living National Treasures.

Seoul: Jimoondang International,

2003

———. “

Seoul-shi muhyŏng munhwajae, musok ŭirye yŏn’gu

(Investigative research towards the designation of shamanic village rituals as ‘intangible cultural properties’ of the Seoul Metropolitan government).”

International Journal of Intangible Heritage

4 (

2009

): 75–86.

Yano, Christine R.

Tears of Longing: Nostalgia and the Nation in Japanese Popular Song.

Cambridge, MA: Harvard University Press,

2002

Yesurwŏn (Art Academy).

Han’guk yesulchi

(Record of Korean arts). Seoul: Yesurwŏn,

1980

Ye Yonghae.

In’gan munhwajae

(Human cultural properties). Seoul: Ŏmun’gak,

1963

Yi, Bo-hyŏng (Yi Pohyŏng). “P’ansori.” In

Survey of Korean Arts: Folk Arts

, edited by the National Academy of Arts, 295–305. Seoul: National Academy of Arts,

1974

Yi Ch’angbae. Han’guk kach’ang taegye (A compendium of vocal music in Korea). 2 vols. Seoul: Hongin munhwasa, 1976.

Yi Ch’angshik. “

Han’guk minyohak

kwan’gye mongnok” (List of works related to the study of Korean folksongs). Han’guk minyohak (Korean folksong studies), vol. 1, edited by the Han’guk minyo hakhoe, 185–227. Seoul: Kyomunsa,

1991

Yi Chongsŏk. “

Sŏdo sori O Pongnyŏ yŏsa

” (Madame O Pongnyŏ and songs from the western provinces).

Chungang ilbo

, November 15, 1988, 7.

Yi Hŭijŏng. “

In’gan munhwajae chedo kaesŏn-ŭl: puliik, kŭmp’um nobi

” (A reform of the system of human cultural properties: Disadvantage and cash and gift lobbying).

Han’guk ilbo

(Korea daily), July 25, 2002, 25.

Yi Inmuk. “

‘No Chŏnggwŏn ttae immyŏng ibuk 5 do chisa 3 myŏng kyoch’e hara’ posu tanch’e hoewŏndŭl t’oejin undong

” (A move to resign by members of the conservation organization demanding the replacement of 3 members of the branch for the 5 provinces north of Korea who were appointed during No’s administration).

Chosŏn ilbo

, May 12, 2009, 12.

Yi Kŭnt’ae. “Shin minyo-ŭi t’ansaeng” (The birth of new folksongs). In CD booklet, Seoul Records Inc., 9501-G17,

30-nyŏndae shin minyo

(New folksongs from the 1930s),

1995

Yi Kuyŏl.

Han’guk munhwajae pihwa

(Secret stories of Korean cultural properties). Seoul: Han’guk misul ch’ulp’ansa,

1973

Yi Kyŏngnyŏl. “

Munhwa-ŭi ŭiŭi

” (The significance of culture).

Tonggwang

(Dawn) 1 (January 1927): 32–39.

Yi Kyŏngyŏp. “

Kidokkyo-ŭi chŏnp’a-wa ŭirye saenghwar-ŭi pyŏnhwa: Shinan-gun Chŭngdo-rŭl chungshim-ŭro

” (The spread of Christianity and changes in rites: Centering on Jeungdo, Shinan County).

Tosŏ munhwa

(Island culture) 28 (

2006

): 177–221.

Yi Misuk. “Ŭnt’oe mudae kannŭn Kyŏnggi minyo 1-inja Muk Kyewŏl yŏsa” (Kyŏnggi minyo’s no. 1 performer Muk Kyewŏl goes into retirement).

Munhwa ilbo

, September 11, 1995, 22.

Yi Nŭnghwa.

Chosŏn haeŏhwa sa

(A history of Korean kisaeng). Seoul: Shinhan sŏrim,

1968

(1927).

Yi Pohyŏng. “‘

Arirang’ sori-ŭi kŭnwŏn-gwa kŭ pyŏnch’ŏn-e kwanhan ŭmakchŏk yŏn’gu

” (The origin of “Arirang” and a musicological study of its change).

Han’guk minyohak

5 (

1997

): 81–120.

———. “Chŏnt’ong sahoe-esŏ minyo-rŭl yŏnhaenghanŭn sahoe chiptan-gwa kŭ munhwa haengwi” (The social groups who sang folksongs in traditional society and their cultural behavior). In

Minyo-wa minjung-ŭi salm

(Folksongs and people’s lives), edited by the Han’guk yŏksa minsok hakhoe, 142–160. Seoul: Usŏk,

1994

———. “

Paebaengi kut

-kwa tari kut” (Ritual for Paebaengi and the bridge ritual). In CD booklet, Seoul Records 9303-G123, Paebaengi kut,

1993

: 1–17.

———.

Sŏdo minyo-wa Kyŏnggi minyo-ŭi sŏnyul kujo yŏn’gu

(A study of the melodic structure of folksongs from the western and Kyŏnggi provinces). Seoul: Munhwajae yŏn’guso,

1992

———. “Sŏnsori sant’aryŏng” (Standing Mountain Songs). Munhwa yesul 100 (1985): 163–171.

Yi Pohyŏng, Hong Kiwŏn, and Pae Yŏnhyŏng.

Yusŏnggi ŭmban kasajip

(Collection of song texts from gramophone records). Vol. 4. Seoul: Minsokwŏn,

1999

Yi Sŏngbu. “

Shin in’gan munhwajae 23

” (New human cultural property no. 23).

Ilgan sŭp’och’ŭ

, July 28, 1986, 8.

Yi Sŏngmu, Han Ugŭn, Min Hyŏn’gu, Yi T’aejin, and Kwŏn Oyŏng. Yŏkchu kyŏngguk taejŏn (Translation and annotation of the Great Code of Administration). 2 vols. Seoul: Han’guk chŏngshin munhwa yŏn’guwŏn, 1986.

Yi Tongsun.

Pŏnji ŏmnŭn chumak

(The tavern without a number). Seoul: Sŏn,

2007

Yi, Tu-hyŏn (Yi Tuhyŏn). “Mask Dance-Dramas.” In

Traditional Performing Arts of Korea

, edited by the Korean National Commission for UNESCO, 35–80. Seoul: UNESCO,

1983

Yi Tuhyŏn, Chang Sugŭn and Yi Kwanggyu.

Han’guk minsokhak kaesŏl

(Introduction to Korean folklore studies). Seoul: Ilchogak,

1991

Yi Ŭn’gwan.

Kach’ang ch’ongbo

(Full song scores). Seoul: Cheil akposa,

1999

Yi Yongshik. “

Ch’angga-esŏ minyo-ro: Hamgyŏngdo Pukch’ŏng minyo “Tondollari”-ŭi hyŏngsŏng-e kwanhan yŏn’gu

” (From ch’angga to folksong: A study of the formation of the folksong “Tondollari” from Hamgyŏng province).

Han’guk minyohak

7 (

1999

): 199–224.

Yi Yŏngmi. “Ilche shidae-ŭi taejung kayo” (Popular songs from the period of Japanese colonial rule). In

Norae

(Songs). Vol. 1, edited by Kim Ch’angnam, Yi Yŏngmi, Pak Yunu and Kim Haeshik. Seoul: Shilch’ŏn munhaksa,

1980

Yi Yunsŏn. “

‘Sushimga’ sasŏr-ŭi maech’ebyŏl pyŏni yangsang-gwa ŭimi

” (Variations in the lyrics of “Sushimga” and their meaning).

Han’guk minyo hak

26 (

2009

): 159–195.

Yi Yusŏn.

Han’guk yangak paengnyŏnsa

(A one-hundred-year history of Western music in Korea). Seoul: Ŭmak ch’unch’usa,

1985

———.

Han’guk yangak p’alshimnyŏnsa

(An eighty-year history of Western music in Korea). Seoul: Chungang taehakkyo ch’ulp’ansa,

1968

Yŏnhap News Agency.

Korea Annual 1991.

Seoul: Yŏnhap News Agency,

1991

Yoo, Theodore Jun.

The Politics of Gender in Colonial Korea: Education, Labor, and Health, 1910–1945.

Berkeley: University of California Press,

2008

Yoon, Hong-key.

Geomantic Relationships between Culture and Nature in Korea.

Taipei: Orient Culture Service,

1976

Yu Iksŏ. “Chŏng Tŭngman.” In

Myŏngin myŏngch’ang

, edited by Yu Iksŏ et al., 217–225. Seoul: Dong-a Ilbo,

1987

———. “Kim Chŏngyŏn.” In

Myŏngin myŏngch’ang

(Famous people, famous singers), edited by Yu Iksŏ et al., 174–181. Seoul: Dong-a Ilbo,

1987

Yun Kihong. “Chapka-ŭi sŏngkyŏk-kwa minyo, p’ansori-wa-ŭi kwan’gye” (Folksongs, the character of chapka, and their relation to p’ansori). In

Han’guk minyo non

(A study of Korean folksongs), edited by Ch’oe Ch’ŏl, 206–239. Seoul: Chimmundang,

1992

Yu Yŏngdae. “

Mokhoeja-ro ch’ŏt in’gan munhwajae chijŏng sŏdo sori myŏngch’ang Yi Munju moksa

” (Noted singer of songs from the western provinces, Minister Yi Munju, becomes the first pastor to be appointed a human cultural property).

Kungmin ilbo

(People’s daily), September 3, 2009, 27.