Volume 49, Issue 2
May 2021
Cover image
Cover image
‘The Music Party’, by Philip Mercier, 1733: Anne, Princess Royal (age 24), Princess Caroline (age 20), Frederick, Prince of Wales (age 26) and Princess Amelia (age 22); in the background is the Dutch House at Kew (© National Portrait Gallery, London, npg 1556; by permission)
ISSN 0306-1078
EISSN 1741-7260
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Volume 49, Issue 2, May 2021
EDITORIAL
Editorial
Early Music, Volume 49, Issue 2, May 2021, Pages 171–172, https://doi.org/10.1093/em/caab040
ARTICLES
PERFORMING HANDEL IN 18TH-CENTURY LONDON
Handel’s singers from the London choirs
Early Music, Volume 49, Issue 2, May 2021, Pages 173–183, https://doi.org/10.1093/em/caab025
Who sang Hamor in Handel’s Jephtha?
Early Music, Volume 49, Issue 2, May 2021, Pages 185–193, https://doi.org/10.1093/em/caab024
Guadagni in Handel’s London: the formation of a voice
Early Music, Volume 49, Issue 2, May 2021, Pages 195–210, https://doi.org/10.1093/em/caab029
Queen Caroline, music and Handel revisited
Early Music, Volume 49, Issue 2, May 2021, Pages 211–225, https://doi.org/10.1093/em/caab028
Handel’s harpsichords revisited Part I: Handel and Ruckers harpsichords
Early Music, Volume 49, Issue 2, May 2021, Pages 227–243, https://doi.org/10.1093/em/caab027
Newly discovered 14th-century polyphony in Oxford
Early Music, Volume 49, Issue 2, May 2021, Pages 245–259, https://doi.org/10.1093/em/caab008
Fiddlesticks: two bows from the Mary Rose
Early Music, Volume 49, Issue 2, May 2021, Pages 261–274, https://doi.org/10.1093/em/caab042
Violin technique and the contrapuntal imagination in 17th-century German lands
Early Music, Volume 49, Issue 2, May 2021, Pages 275–291, https://doi.org/10.1093/em/caab031
OBSERVATION
Three centuries of the guitar in England
Early Music, Volume 49, Issue 2, May 2021, Pages 293–296, https://doi.org/10.1093/em/caab032
BOOK REVIEWS
Singing to the lyre
Early Music, Volume 49, Issue 2, May 2021, Pages 297–299, https://doi.org/10.1093/em/caab013
Handel’s ‘Labours to please’
Early Music, Volume 49, Issue 2, May 2021, Pages 299–303, https://doi.org/10.1093/em/caab015
Leipzig after Bach
Early Music, Volume 49, Issue 2, May 2021, Pages 303–304, https://doi.org/10.1093/em/caab046
Ina Lohr at Basel
Early Music, Volume 49, Issue 2, May 2021, Pages 304–306, https://doi.org/10.1093/em/caab012
ONLINE RESOURCES
The Motet Cycles Database and Gaffurius Codices Online
Early Music, Volume 49, Issue 2, May 2021, Pages 307–309, https://doi.org/10.1093/em/caab038
RECORDING REVIEWS
Swete soundynge Lutes and most pleasant Ditties
Early Music, Volume 49, Issue 2, May 2021, Pages 310–312, https://doi.org/10.1093/em/caab037
The 17th-century dramatic voice, sacred and secular
Early Music, Volume 49, Issue 2, May 2021, Pages 312–314, https://doi.org/10.1093/em/caab035
The Underworld of Orpheus’s music dramas
Early Music, Volume 49, Issue 2, May 2021, Pages 314–316, https://doi.org/10.1093/em/caab036
A French Baroque miscellany
Early Music, Volume 49, Issue 2, May 2021, Pages 316–318, https://doi.org/10.1093/em/caab034
Whispers, worms, wildfire and wanderers
Early Music, Volume 49, Issue 2, May 2021, Pages 318–320, https://doi.org/10.1093/em/caab033
OBITUARY
John Byrt (1940–2021)
Early Music, Volume 49, Issue 2, May 2021, Pages 321–322, https://doi.org/10.1093/em/caab041
ABSTRACTS
Abstracts
Early Music, Volume 49, Issue 2, May 2021, Pages 323–325, https://doi.org/10.1093/em/caab063
