
Volume 49, Issue 1
February 2021
Cover image
Cover image

Thomas Patch, drawing of Thomas Pitt, first baron Camelford (c.1770); see Appendix 1, no.1 (Yale Center for British Art, b1977.14.309, fol.2)
ISSN 0306-1078
EISSN 1741-7260
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Volume 49, Issue 1, February 2021
EDITORIAL
Editorial
Alan Howard
Early Music, Volume 49, Issue 1, February 2021, Pages 1–2, https://doi.org/10.1093/em/caab018
ARTICLES
An earthquake, a damaged painting, an unknown motet, and a lost Petrucci edition
Jane A Bernstein and H Colin Slim
Early Music, Volume 49, Issue 1, February 2021, Pages 3–16, https://doi.org/10.1093/em/caab007
The ‘English’ cadence: reading an early modern musical trope
Eleanor Chan
Early Music, Volume 49, Issue 1, February 2021, Pages 17–34, https://doi.org/10.1093/em/caaa082
Instruments in the liturgy of the Real Colegio Seminario de Corpus Christi, València, in the 17th century
Mireya Royo
Early Music, Volume 49, Issue 1, February 2021, Pages 35–48, https://doi.org/10.1093/em/caab001
In search of Mr Baptiste: on early Caribbean music, race, and a colonial composer
Mary Caton Lingold
Early Music, Volume 49, Issue 1, February 2021, Pages 49–66, https://doi.org/10.1093/em/caab002
Farinel’s Ground and other ‘Follyes’ in English sources of the late 17th and early 18th centuries
Stephan Schönlau
Early Music, Volume 49, Issue 1, February 2021, Pages 67–86, https://doi.org/10.1093/em/caab003
Nicolas Bernier’s ‘Principes de composition’ and the Italian partimento tradition
Jean-Paul C Montagnier
Early Music, Volume 49, Issue 1, February 2021, Pages 87–100, https://doi.org/10.1093/em/caab004
Music, men and masculinity on the Grand Tour: British flautists in Italy
Thomas McGeary
Early Music, Volume 49, Issue 1, February 2021, Pages 101–128, https://doi.org/10.1093/em/caab023
The metronome marks for Beethoven’s Ninth Symphony in context
Marten Noorduin
Early Music, Volume 49, Issue 1, February 2021, Pages 129–145, https://doi.org/10.1093/em/caab005
BOOK REVIEWS
Another case of Carmina Piranha?
Richard Robinson
Early Music, Volume 49, Issue 1, February 2021, Pages 146–148, https://doi.org/10.1093/em/caab009
A singer’s primer for early music
Nicholas Clapton
Early Music, Volume 49, Issue 1, February 2021, Pages 148–149, https://doi.org/10.1093/em/caab010
Direction from within
Fiona M Palmer
Early Music, Volume 49, Issue 1, February 2021, Pages 149–152, https://doi.org/10.1093/em/caab011
To great benefit
Andrew Pinnock
Early Music, Volume 49, Issue 1, February 2021, Pages 152–154, https://doi.org/10.1093/em/caab014
Alfred Deller and the Stour Festival
Lawrence Zazzo
Early Music, Volume 49, Issue 1, February 2021, Pages 154–155, https://doi.org/10.1093/em/caab022
RECORDING REVIEWS
Early English music for ‘distracted times’
Daisy M Gibbs
Early Music, Volume 49, Issue 1, February 2021, Pages 156–158, https://doi.org/10.1093/em/caab020
Hamburg to Vienna: German and Austrian Baroque
Owen Rees
Early Music, Volume 49, Issue 1, February 2021, Pages 158–161, https://doi.org/10.1093/em/caab019
Touring the European Baroque
Daniel Bangert
Early Music, Volume 49, Issue 1, February 2021, Pages 161–163, https://doi.org/10.1093/em/caab021
CONFERENCE REPORT
SSCM 2020
Hazel Brooks
Early Music, Volume 49, Issue 1, February 2021, Pages 164–165, https://doi.org/10.1093/em/caab016
OBITUARY
Jeremy Montagu (1927–2020)
Graham Wells
Early Music, Volume 49, Issue 1, February 2021, Pages 166–167, https://doi.org/10.1093/em/caab017
ABSTRACTS
Abstracts
Early Music, Volume 49, Issue 1, February 2021, Pages 168–170, https://doi.org/10.1093/em/caab049
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