
Volume 49, Issue 3
August 2021
Cover image
Cover image

Luca Longhi, Madonna and Child (1538) (Milan, Pinacoteca di Brera, Inv.127; with permission of the Ministero per i beni e le attività culturali e per il turismo)
ISSN 0306-1078
EISSN 1741-7260
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Volume 49, Issue 3, August 2021
EDITORIAL
Against the odds: pandemic early choral music
Early Music, Volume 49, Issue 3, August 2021, Page 327, https://doi.org/10.1093/em/caab059
ARTICLES
Raphael’s ‘imperfect’ viol: a question of perspective
Thilo Hirsch and others
Early Music, Volume 49, Issue 3, August 2021, Pages 329–346, https://doi.org/10.1093/em/caab047
Lute and theorbo toccatas of seicento Italy: the historical significance of a sidelined repertory
Zirk Walter Eon Louw
Early Music, Volume 49, Issue 3, August 2021, Pages 347–367, https://doi.org/10.1093/em/caab045
Reassessing the development of cori spezzati: new discoveries in Bologna
Valerio Morucci
Early Music, Volume 49, Issue 3, August 2021, Pages 369–394, https://doi.org/10.1093/em/caab060
Frescobaldi at the Ospedale di Santo Spirito: a portfolio career in 17th-century Rome
Naomi J Barker
Early Music, Volume 49, Issue 3, August 2021, Pages 395–412, https://doi.org/10.1093/em/caab044
Handel’s harpsichords revisited Part II: Handel’s domestic harpsichords
Peter Holman
Early Music, Volume 49, Issue 3, August 2021, Pages 413–427, https://doi.org/10.1093/em/caab043
Jakob Adlung’s ‘Anweisung zum Fantasiren’ (c.1725–7): edition, translation and introduction
Derek Remeš and Michael Maul
Early Music, Volume 49, Issue 3, August 2021, Pages 429–438, https://doi.org/10.1093/em/caab054
OBSERVATION
On screen and stage: a performer’s perspective on life in early music, 2020–21
Nicholas Mulroy
Early Music, Volume 49, Issue 3, August 2021, Pages 439–441, https://doi.org/10.1093/em/caab056
BOOK REVIEWS
Music for St Cecilia’s Day from Purcell to Handel
Rebecca Herissone
Early Music, Volume 49, Issue 3, August 2021, Pages 442–445, https://doi.org/10.1093/em/caab058
Motet cycles between devotion and liturgy
Jane Hatter
Early Music, Volume 49, Issue 3, August 2021, Pages 445–446, https://doi.org/10.1093/em/caab057
MUSIC REVIEW
Byrd’s Fragments
Eleanor Chan
Early Music, Volume 49, Issue 3, August 2021, Pages 447–448, https://doi.org/10.1093/em/caab048
REVIEW ARTICLE
Against the odds: pandemic early choral music
Christian Goursaud
Early Music, Volume 49, Issue 3, August 2021, Pages 449–455, https://doi.org/10.1093/em/caab055
RECORDING REVIEWS
From Antico to Zipoli: Listening to three centuries of Italian keyboard music
Daniel K S Walden
Early Music, Volume 49, Issue 3, August 2021, Pages 456–458, https://doi.org/10.1093/em/caab050
‘For the Lovers and Practitioners of [English] Consort [and Court]-Musick’
Andrew H King
Early Music, Volume 49, Issue 3, August 2021, Pages 458–460, https://doi.org/10.1093/em/caab053
An embarrassment of polyphonic riches
Sigrid Harris
Early Music, Volume 49, Issue 3, August 2021, Pages 460–463, https://doi.org/10.1093/em/caab051
Bach for harpsichord, piano and harp
Jon Banks
Early Music, Volume 49, Issue 3, August 2021, Pages 463–465, https://doi.org/10.1093/em/caab052
CONFERENCE REPORT
Sounds powerful
Jonathan Inniger and Luc Vallat
Early Music, Volume 49, Issue 3, August 2021, Pages 466–467, https://doi.org/10.1093/em/caab061
ABSTRACTS
Abstracts
Early Music, Volume 49, Issue 3, August 2021, Pages 468–470, https://doi.org/10.1093/em/caac001
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