
Contents
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Angelic Contemplation in the Convivio Angelic Contemplation in the Convivio
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The Paradiso: Gazing on the Sun The Paradiso: Gazing on the Sun
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The Paradiso: Mysteries of Predestination and Angelic Knowledge The Paradiso: Mysteries of Predestination and Angelic Knowledge
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The Non-Dionysian Dante The Non-Dionysian Dante
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Notes Notes
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Bibliography Bibliography
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27 Dionysius in Dante
Get accessMark Edwards has been Tutor in Theology at Christ Church, Oxford since 1993, and also University Lecturer/Associate Professor in Patristics in the Faculty of Theology and Religion at the University of Oxford. Since 2014 he has held the title Professor of Early Christian Studies. His books include Neoplatonic Saints (2000), Origen against Plato (2002), John through the Centuries (2003), Culture and Philosophy in the Age of Plotinus (2006), Catholicity and Heresy in the Early Church (2009), Image, Word and God in the Early Christian Centuries (2012), Religions of the Constantinian Empire (2015) and Aristotle and Early Christian Thought (2019).
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Published:18 March 2022
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Abstract
This essay considers both explicit and implicit use of Dionysius in the works of Dante. The most explicit use occurs in the Convivio, where Dante shows knowledge only of the Celestial Hierarchy in his discussion of the order and activity of the angels. In the Paradiso, the Celestial Hierarchy is once more the only work to which he openly alludes (having been emboldened by Aquas to prefer the Dionysian ranking of angels to that of Gregory the Great); at the same time, allusions to the doctrine and imagery of the Divine Names are also discernible, though Dante may be as reluctant as Aquinas to admit that the intellect is wholly extinguished even in the closest approximation to God.
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