
Contents
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Textual History: Editions and Translations Textual History: Editions and Translations
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Italian Neoplatonism and the Mythographic Tradition Italian Neoplatonism and the Mythographic Tradition
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Hesiod and the Reformation: Erasmus and Melanchthon Hesiod and the Reformation: Erasmus and Melanchthon
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Hesiod in the French Renaissance Hesiod in the French Renaissance
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Hesiod in the English Renaissance Hesiod in the English Renaissance
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Milton’s Hesiod Milton’s Hesiod
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Notes Notes
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References References
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27 Hesiod and Christian Humanism, 1471–1667
Get accessJessica Wolfe is professor of English and comparative literature at the University of North Carolina at Chapel Hill and articles editor of Renaissance Quarterly. She is the author of two books, including, most recently, Homer and the Question of Strife from Erasmus to Hobbes (University of Toronto Press, 2015), and has published essays and articles on Renaissance writers, including Erasmus, Spenser, Milton, Shakespeare, Chapman, Hobbes, and Thomas Browne, as well as on the Renaissance reception of Homer. She is currently working on an edition of Thomas Browne’s Pseudodoxia Epidemica for the forthcoming Complete Works of Thomas Browne (Oxford University Press) as well as on a biography of the Renaissance poet, playwright, and translator George Chapman.
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Published:08 August 2018
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Abstract
This chapter surveys the scholarly and poetic engagement with the poems of Hesiod during the sixteenth and seventeenth centuries, focusing on editions, translations, and philosophical and literary interpretations produced in northern Europe and England in the century and a half after the Protestant Reformation. The first part discusses the most influential early printed editions and Latin translations of Hesiod’s poems, as well as their scholia and other paratexts. The second and third parts examine the interpretive traditions that prevailed among Italian humanists and their northern counterparts, the latter focusing on Erasmus and Melanchthon. The fourth and fifth parts focus on the French and English Renaissance, examining the most significant editions of Hesiod produced in these nations as well as the incorporation of Hesiodic myths and motifs by major poets such as Ronsard and Spenser. The final section examines Paradise Lost’s complex imitation of Hesiodic cosmogony.
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