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The Oxford Handbook of Hesiod

Online ISBN:
9780190209056
Print ISBN:
9780190209032
Publisher:
Oxford University Press
Book

The Oxford Handbook of Hesiod

Alexander C. Loney (ed.),
Alexander C. Loney
(ed.)
Classical Languages, Wheaton College
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Alexander C. Loney is associate professor of classical languages at Wheaton College. Previously he was an American Council of Learned Societies New Faculty Fellow in Classics and a fellow of the Whitney Humanities Center at Yale University. He has written articles on Homer, Hesiod, and Greek lyric poetry, and has a monograph forthcoming with Oxford University Press, titled The Ethics of Revenge and the Meanings of the Odyssey.

Stephen Scully (ed.)
Stephen Scully
(ed.)
Classical Studies, Boston University
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Stephen Scully is professor of classical studies at Boston University. He has written on Homer, Hesiod, Greek tragedy, Plato, Freud’s antiquities, and aspects of reception. Translations include Plato’s Phaedrus (Focus Publishing, 2003; now distributed by Hackett Publishing) and, with Rosanna Warren, Euripides’ Suppliant Women (Oxford University Press, 1995; now in The Complete Euripides, vol. III, 2010), and recent publications include the introduction to George Chapman’s Homer’s Hymns and Other Homerica (Princeton University Press, 2008); “Englished Homer from Chapman to Walcott,” Arion 17 (2009); Hesiod’s Theogony: From Near Eastern Creation Myths to Paradise Lost (Oxford University Press, 2015); and “Dryden’s Aeneis,” in Virgil and His Translators (Oxford University Press, forthcoming).

Published online:
8 August 2018
Published in print:
27 September 2018
Online ISBN:
9780190209056
Print ISBN:
9780190209032
Publisher:
Oxford University Press

Abstract

This volume brings together twenty-nine junior and senior scholars to discuss aspects of Hesiod’s poetry and its milieu and to explore questions of reception over two and half millennia, from shortly after the poems’ conception to Twitter hashtags. Rather than an exhaustive survey of Hesiodic themes, the Handbook is conceived as a guide through terrain, some familiar, other less charted, examining both Hesiodic craft and later engagements with Hesiod’s stories of the gods and moralizing proscriptions of just human behavior. The volume is divided into four sections: “Hesiod in Context,” “Hesiod’s Art,” “Hesiod in the Greco-Roman Period,” and “Hesiod from Byzantium to Modern Times.” Topics of the chapters range from the “Hesiodic question” to the archaeology and economic history of archaic Boiotia, to Hesiod and Indo-European poetics, and from discussions of style to Hesiod’s vision of the supernatural in the Theogony, to questions of performer and audience interactions in the Works and Days. Looking at both poems together, other chapters explore tensions between diachronic and synchronic temporalities and varying portrayals of female figures. Reception studies range from Solon to comic books, with chapters in between on Hesiod and the pre-Socratics, Orphism, archaic art, Pindar, tragedy, comedy, Plato, Hellenistic poetry, Hellenistic philosophy, Virgil and the Georgic tradition, Ovid, Second Sophistic and early Christian authors in the Greco-Roman period, Byzantine and Renaissance writers and editions, Christian humanism and Milton, Enlightenment, Romanticism, and Nietzsche, Freud and structuralism, and contemporary art and literature in postclassical times.

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