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23 Hesiod, Virgil, and the Georgic Tradition
Get accessStephanie Nelson is associate professor of classical studies at Boston University and currently director and dean of the core curriculum. She has her BA from St. John’s College in Annapolis, MD, and her MA and PhD from the University of Chicago. She teaches widely in Greek and Latin literature and in the classical tradition and has written on subjects ranging from Hesiod to Aristophanes to translation from the classics. She is the author of God and the Land: The Metaphysics of Farming in Hesiod and Vergil (Oxford University Press, 1998) and of a work on Greek comedy and tragedy, Aristophanes’ Tragic Muse: Comedy, Tragedy and the Polis in Classical Athens (Brill, 2016). She has also written on and given numerous talks on the relationship of Joyce’s Ulysses and the Odyssey and is currently at work on a monograph on the subject.
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Published:08 August 2018
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Abstract
Hesiod’s Works and Days had its greatest influence on English poetry through the Georgics. While Hesiod’s early translators into English—Chapman in 1618, Cooke in 1728, and Elton in 1815—were primarily interested in Hesiod as a theological and moral thinker, it was Virgil’s focus on an essentially problematic relation of the human and nature, as seen in the role of labor and the relation of farming to war and politics, that persisted in the English georgic tradition. Virgil established his vision, however, through a deliberate contrast with Hesiod’s idea of a seamless connection of the human world, through farming, with the greater cosmos. In this way, Hesiod may be said to have deeply influenced the later georgic tradition, albeit through inversion.
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