
Contents
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Performance, Education, Text Performance, Education, Text
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Quoting Hesiod Quoting Hesiod
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Hesiod: Sophist and Philosopher Hesiod: Sophist and Philosopher
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Allusion and Inspiration Allusion and Inspiration
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Conclusions Conclusions
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Notes Notes
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References References
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20 Plato’s Hesiods
Get accessMarcus Folch is associate professor of classics at Columbia University. His work focuses on ancient Greek literature and philosophy, performance in antiquity, and incarceration in the ancient world. He is the author of The City and the Stage: Performance, Genre, and Gender in Plato’s Laws (Oxford University Press, 2015), as well as articles and chapters on ancient literary criticism, the dialogue between ancient Greek philosophy and the poetic tradition, and classical reception in the twentieth century. He is currently at work on a book entitled Bondage, Incarceration, and the Prison in Ancient Greece and Rome: A Cultural and Literary History.
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Published:08 August 2018
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Abstract
This chapter surveys Hesiodic reception in fourth-century bce prose, with emphasis on Plato and especially the Laws. Passages of the Laws are read in context and used to illuminate the status of Hesiodic poetry in the fourth century. Topics discussed include rhapsodic performance, Hesiod’s relationship to Homer, study of Hesiodic poetry in schools, the fourth-century manuscript tradition, citation of Hesiod’s poems in conversation and Athenian courtrooms, and the politics of Hesiodic quotation. Whether understood as part of the rhapsode’s canon, a gnomic poet, a proto-sophist or proto-philosopher, or an allegorist, Hesiod remained a dynamic site for the production of the philosophical, literary, and political debates that animated fourth-century prose.
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