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Red cloth flies in the face of death. Ritually dressed phantoms from the past light up the world of the living. Technicolor heavenly visitors whirl magnificently as the igbala panels open up to deliver 1,000 points of information.
Egúngún. Citizens of heaven—ará ọ̀run—the returning ancestors, transporting love and blessings as they are called back to participate in earthly matters. What is Egúngún? The returned kings, the founders and leaders of the Yorùbá, they represent the collective ancestry, forming an unbroken path to ancient memory. Fantastically dressed in multiple layers of brilliant cloths, they deliver messages of moral righteousness, dispensing judgment, cleansing the community of evil, advising the people, making barren women fertile. It is tradition, a Yorùbá tradition.
In this wonderful book, Willson breaks down the history of Egúngún as it was carried to Brazil and tells the story of its powerful continuity on the island of Itaparica, and its eventual migration to Rio de Janeiro. He brings forth information we have not seen before. His story centers around Xango Cá Te Espero, the first Egúngún temple in Rio de Janeiro, and its historic origins in Itaparica, Bahia, brought to Rio from there by Aildés de la Rocha, a major African-Brazilian priestess and architect of Candomblé of the twentieth century.
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