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In her recently published book Les Partis pris culturels [The Cultural Biases],1 Zakya Daoud underlines the role that the periodical Lamalif played in shaping modern Moroccan culture. Daoud, Lamalif’s founding co-editor, does not take credit for the cultural vibrancy of the period during which Lamalif was published, but she underlines how the journal provided a platform for a generation of gifted writers, scholars, artists, and poets to reflect on their society and its needs. She writes that culture “follows all the curves of time, magnifies them in poetry, makes them chant in plastic art, embellishes or dramatizes them in literary, cinematographic, and theatrical works. Without culture, there is neither utopia nor dream, therefore no life … .”2 Culture was the food that nourished political, economic, and educational thought during the “Years of Lead” (1956–1999). It provided a vision for the future that politicians were unable to propose and made it possible for Moroccan youth to dream about other worlds and ways of living in them. These cognitive shifts included changing the societal status of women, understanding the place of Morocco within the global stage, and paying attention to the trends of human movements and brain drain that were already starting to emerge in post-independence societies.
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