
Published online:
18 May 2023
Published in print:
01 January 2023
Online ISBN:
9781800854321
Print ISBN:
9781802077162
Contents
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A Festival in Paris A Festival in Paris
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Juxtapositions Juxtapositions
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Local Radio Stations and “Immigrant” Culture Local Radio Stations and “Immigrant” Culture
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Yuro Theatro Yuro Theatro
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Unruly Spontaneity Unruly Spontaneity
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Culture of Violence Culture of Violence
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Radio Beur Radio Beur
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Funeral Song for Zoubida Funeral Song for Zoubida
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“Zoubida” (Carte de Séjour) “Zoubida” (Carte de Séjour)
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Chapter
Rockin’ Babouches: The New Culture of “Second-Generation” Maghrebis in France
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Pages
197–204
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Published:January 2023
Cite
Lapassade, Georges, and Laura Reeck, 'Rockin’ Babouches: The New Culture of “Second-Generation” Maghrebis in France', in Brahim El Guabli, and Ali Alalou (eds), Lamalif: A Critical Anthology of Societal Debates in Morocco during the "Years of Lead" (1966-1988): Volume 2 (Liverpool , 2023; online edn, Liverpool Scholarship Online, 18 May 2023), https://doi.org/10.3828/liverpool/9781802077162.003.0024, accessed 24 Apr. 2025.
Abstract
In the early 1980s, children of Maghrebi immigrants were the authors and creators of new hybridized cultural expression. Radio stations, like Radio Beur; theater groups, like Yuro Téâtro; and rock music groups, like Carte de Séjour and Rockin’ Babouches, contributed to this new expression that was directly connected to and reflected the experience of immigrants and the children of immigrants in France. As Georges Lapassade shows, radio stations, in particular, played a vital role in providing a venue and voice to the new cultural expression, taking part in their own way in a “cultural war” and a quest for recognition.
Subject
African Studies
Translator:
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