
Rebecca Gayle Howell (ed.)
et al.
Published online:
18 May 2023
Published in print:
07 March 2023
Online ISBN:
9780813197418
Print ISBN:
9780813182438
Contents
Chapter
Alabanza: In Praise of Local 100
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Pages
176–177
-
Published:March 2023
Cite
Espada, Martín, 'Alabanza: In Praise of Local 100', in Rebecca Gayle Howell, Ashley M. Jones, and Emily J. Jalloul (eds), What Things Cost: an anthology for the people (Lexington, KY , 2023; online edn, Kentucky Scholarship Online, 18 May 2023), https://doi.org/10.5810/kentucky/9780813182438.003.0074, accessed 14 May 2025.
Extract
For the 43 members of Hotel Employees and Restaurant EmployeesLocal 100, working at the Windows on the World restaurant, wholost their lives in the attack on the World Trade Center
Alabanza. Praise the cook with a shaven headand a tattoo on his shoulder that said Oye,a blue-eyed Puerto Rican with people from Fajardo,the harbor of pirates centuries ago.Praise the lighthouse in Fajardo, candleglimmering white to worship the dark saint of the sea.Alabanza. Praise the cook’s yellow Pirates capworn in the name of Roberto Clemente, his planethat flamed into the ocean loaded with cans for Nicaragua,for all the mouths chewing the ash of earthquakes.Alabanza. Praise the kitchen radio, dial clickedeven before the dial on the oven, so that music and Spanishrose before bread. Praise the bread. Alabanza.Praise Manhattan from a hundred and seven flights up,like Atlantis glimpsed through the windows of an ancient aquarium.Praise the great windows where immigrants from the kitchencould squint and almost see their world, hear the chant of nations:Ecuador, México, República Dominicana,Haiti, Yemen, Ghana, Bangladesh.Alabanza. Praise the kitchen in the morning,where the gas burned blue on every stoveand exhaust fans fired their diminutive propellers,hands cracked eggs with quick thumbsor sliced open cartons to build an altar of cans.Alabanza. Praise the busboy’s music, the chime-chimeof his dishes and silverware in the tub.Alabanza. Praise the dish-dog, the dishwasherwho worked that morning because another dishwashercould not stop coughing, or because he needed overtimeto pile the sacks of rice and beans for a familyfloating away on some Caribbean island plagued by frogs.Alabanza. Praise the waitress who heard the radio in the kitchenand sang to herself about a man gone. Alabanza.After the thunder wilder than thunder,after the shudder deep in the glass of the great windows,after the radio stopped singing like a tree full of terrified frogs,after night burst the dam of day and flooded the kitchen,for a time the stoves glowed in darkness like the lighthouse in Fajardo,like a cook’s soul. Soul I say, even if the dead cannot tell usabout the bristles of God’s beard because God has no face,soul I say, to name the smoke-beings flung in constellationsacross the night sky of this city and cities to come.Alabanza I say, even if God has no face.Alabanza. When the war began, from Manhattan and Kabultwo constellations of smoke rose and drifted to each other,mingling in icy air, and one said with an Afghan tongue:Teach me to dance. We have no music here.And the other said with a Spanish tongue:I will teach you. Music is all we have.
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