
Volume 49, Issue 4
November 2021
Cover image
Cover image

Relief of Josquin des Prez, in Henry Hugh Armstead’s Frieze of Parnassus (1872) on the Albert Memorial, London (photo © Jacob Mariani)
ISSN 0306-1078
EISSN 1741-7260
Issue navigation
Volume 49, Issue 4, November 2021
EDITORIAL
Josquin at 500
David Fallows
Early Music, Volume 49, Issue 4, November 2021, Pages 471–472, https://doi.org/10.1093/em/caab065
ARTICLES
JOSQUIN AT 500
The Josquin canon at 500: with an appendix produced in collaboration with Joshua Rifkin
Jesse Rodin
Early Music, Volume 49, Issue 4, November 2021, Pages 473–497, https://doi.org/10.1093/em/caab062
Inside—and outside—Illibata: composition, context and chronology in a famous Josquin motet
Joshua Rifkin
Early Music, Volume 49, Issue 4, November 2021, Pages 499–525, https://doi.org/10.1093/em/caab064
Discerning Josquin
John Milsom
Early Music, Volume 49, Issue 4, November 2021, Pages 527–551, https://doi.org/10.1093/em/caab070
The organ in Jewish culture during the long Renaissance
Tina Frühauf
Early Music, Volume 49, Issue 4, November 2021, Pages 553–564, https://doi.org/10.1093/em/caab069
O splendor gloriae: Taverner or Tye?
Francis Knights and others
Early Music, Volume 49, Issue 4, November 2021, Pages 565–577, https://doi.org/10.1093/em/caab072
Vocal embellishment in 18th-century Naples: solfeggio patterns in pre-composed cadenzas in sacred pieces by Gennaro and Gaetano Manna
Eric Boaro
Early Music, Volume 49, Issue 4, November 2021, Pages 579–595, https://doi.org/10.1093/em/caab068
Father Hermann Kniebandl (1679–1745), lutenist, composer and scribe from the Cistercian Abbey of Grüssau, Silesia
Grzegorz Joachimiak
Early Music, Volume 49, Issue 4, November 2021, Pages 597–614, https://doi.org/10.1093/em/caab074
BOOK REVIEW
A musical-visual frontier?
Eleanor Chan
Early Music, Volume 49, Issue 4, November 2021, Pages 615–616, https://doi.org/10.1093/em/caac004
RECORDING REVIEWS
Josquin at 500
Fabrice Fitch
Early Music, Volume 49, Issue 4, November 2021, Pages 617–621, https://doi.org/10.1093/em/caab078
‘Ah Heav’n! What is’t I hear?’: Purcell on disc
Alan Howard
Early Music, Volume 49, Issue 4, November 2021, Pages 621–624, https://doi.org/10.1093/em/caac003
Music for keyboard and consort
Mollie Ables
Early Music, Volume 49, Issue 4, November 2021, Pages 625–627, https://doi.org/10.1093/em/caab079
Bach’s keyboard concertos on harpsichord and piano
Geoffrey Webber
Early Music, Volume 49, Issue 4, November 2021, Pages 627–629, https://doi.org/10.1093/em/caab077
A proper farewell to Beethoven’s 250th; balm for the dispirited listener’s soul
Ann Schaefer
Early Music, Volume 49, Issue 4, November 2021, Pages 629–631, https://doi.org/10.1093/em/caab080
CONFERENCE REPORTS
Sounds of Power
Yves Chapuis
Early Music, Volume 49, Issue 4, November 2021, Pages 632–634, https://doi.org/10.1093/em/caab067
Virtual Baroque in Birmingham
Lizzy Buckle and others
Early Music, Volume 49, Issue 4, November 2021, Pages 634–636, https://doi.org/10.1093/em/caab066
ABSTRACTS
Abstracts
Early Music, Volume 49, Issue 4, November 2021, Pages 637–639, https://doi.org/10.1093/em/caac002
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