Volume 50, Issue 1
February 2022
Cover image
Cover image
‘Procession of Dionysos’ mosaic found in Stara Zagora in Bulgaria; detail (© Regional Museum of History—Stara Zagora/Tsvetan Chetashki)
ISSN 0306-1078
EISSN 1741-7260
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Volume 50, Issue 1, February 2022
EDITORIAL
Editorial
Early Music, Volume 50, Issue 1, February 2022, Pages 1–2, https://doi.org/10.1093/em/caac012
ARTICLES
Playing finger cymbals in the Roman Empire: an iconographic study
Early Music, Volume 50, Issue 1, February 2022, Pages 3–20, https://doi.org/10.1093/em/caab073
Melismas in the Speculum musicae
Early Music, Volume 50, Issue 1, February 2022, Pages 21–32, https://doi.org/10.1093/em/caab071
‘Your Muse Remains Forever’: memory and monumentality in Elizabethan manuscript partbooks
Early Music, Volume 50, Issue 1, February 2022, Pages 33–50, https://doi.org/10.1093/em/caab076
Spatial dispositions in English instrumental consort music, c.1575–1650: a further examination
Early Music, Volume 50, Issue 1, February 2022, Pages 51–64, https://doi.org/10.1093/em/caab081
Mourning sickness: the musical birth of ‘Barbara Allen’
Early Music, Volume 50, Issue 1, February 2022, Pages 65–76, https://doi.org/10.1093/em/caab075
François de Fossa, Louis Picquot and the transmission of Luigi Boccherini’s guitar quintets
Early Music, Volume 50, Issue 1, February 2022, Pages 77–96, https://doi.org/10.1093/em/caac008
A forgotten pioneer: Eugene Marteney and the American renaissance of hautboy-making, 1962–1969
Early Music, Volume 50, Issue 1, February 2022, Pages 97–122, https://doi.org/10.1093/em/caac007
Rethinking early music in a time of isolation
Early Music, Volume 50, Issue 1, February 2022, Pages 123–131, https://doi.org/10.1093/em/caac009
BOOK REVIEWS
Music, liturgy and confraternities
Early Music, Volume 50, Issue 1, February 2022, Pages 132–134, https://doi.org/10.1093/em/caac022
Music and national identity in early modern Rome
Early Music, Volume 50, Issue 1, February 2022, Pages 134–136, https://doi.org/10.1093/em/caac006
Learning from period pianos
Early Music, Volume 50, Issue 1, February 2022, Pages 136–137, https://doi.org/10.1093/em/caac005
RECORDING REVIEWS
Italian Baroque instrumental music
Early Music, Volume 50, Issue 1, February 2022, Pages 138–141, https://doi.org/10.1093/em/caac017
French music reimagined
Early Music, Volume 50, Issue 1, February 2022, Pages 141–144, https://doi.org/10.1093/em/caac016
Mozart Englished
Early Music, Volume 50, Issue 1, February 2022, Pages 144–146, https://doi.org/10.1093/em/caab082
New interpretations of Paganini, Schubert, Schumann and Brahms
Early Music, Volume 50, Issue 1, February 2022, Pages 146–148, https://doi.org/10.1093/em/caac015
ABSTRACTS
Abstracts
Early Music, Volume 50, Issue 1, February 2022, Pages 149–151, https://doi.org/10.1093/em/caac076
