
Contents
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Chile Chile
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Brazil Brazil
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Federal Tax Incentives for Sponsorship Federal Tax Incentives for Sponsorship
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The Brazilian Musical Industry and the Lei Rouanet The Brazilian Musical Industry and the Lei Rouanet
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Local Tax Incentives Local Tax Incentives
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Final Considerations Final Considerations
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Notes Notes
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Bibliography Bibliography
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12 Studies in Contrast: Chile and Brazil
Get accessTiago Mundim is a postdoctoral research fellow at Universidade de Brasília (UnB) and currently works in the performing arts department as a lecturer in acting and voice. In his dissertation he researched the influence of technologies on the teaching, learning, and performance processes of the actor-singer-dancer, and he spent two terms at Royal Central School of Speech and Drama (University of London) to complement his research. For ten years he studied musical theatre at the ETMB School of Musical Theatre in Brasília and was on the institution’s faculty between 2014 and 2017. He has worked on more than fifty musical theatre productions both as performer and director. He directed the new Brazilian musicals Domingo no parque and Quem um dia irá dizer; as a performer he has starred in Les Misérables (as Jean Valjean) and We Will Rock You (as Galileo). https://linktr.ee/TiagoMundim.
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Published:23 October 2023
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Abstract
Chilean and Brazilian musical theatre have responded in their own distinctive way to the importation of Anglophone culture. The decentralised system of theatre productions in Chile (19 million inhabitants) uses distinctive means of funding, staging, and developing musicals, while in Brazil (population: 213 million) there are federal tax incentives for sponsoring the performing arts and thus encouraging private investment in theatre. Using various case studies, this essay contrasts the musical theatre industries in both countries and analyses the unique features of Brazilian musicals, which tend to be about remarkable historical figures or events, thus suggesting an artistic perspective that is rather inward-looking.
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