
Contents
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Theories of Editing Theories of Editing
-
Editing and Technology Editing and Technology
-
The Case of Rossini’s Il barbiere di Siviglia The Case of Rossini’s Il barbiere di Siviglia
-
Editing with an Autograph Score Editing with an Autograph Score
-
Editorial Interpretation and Errors Editorial Interpretation and Errors
-
Who Wrote What When, ossia The Barber and His Guitar Who Wrote What When, ossia The Barber and His Guitar
-
Editing without an Autograph: The Overture Editing without an Autograph: The Overture
-
The Later Tradition and Its Place in the Edition The Later Tradition and Its Place in the Edition
-
-
Notes Notes
-
Bibliography Bibliography
-
-
-
-
-
-
-
-
-
46 Editing Opera
Get accessPatricia B. Brauner was until 2011 Managing Editor of Works of Gioachino Rossini (Bärenreiter) and Coordinator of the Center for Italian Opera Studies at the University of Chicago. She is editor of critical editions of Rossini’s Il barbiere di Siviglia and the cantatas La riconoscenza / Il vero omaggio and co-editor of five other volumes of Rossini’s works, including the Petite Messe solennelle (with Philip Gossett), which received the 2010 Claude Palisca Award of the American Musicological Society for a scholarly edition or translation. She has taught music history at Connecticut College, Loyola University of Chicago, and Roosevelt University, as well as seminars in music editing for the Fondazione Rossini (Pesaro, Italy), and the Université François-Rabelais (Tours, France).
-
Published:07 April 2015
Cite
Abstract
Editing older music enables its performance, analysis, and assessment. Although there are various approaches to editing, such as the classic and copy-text methods and Lachmannian stemmatics, the goal should always be to present the musical text in a form that is true to its author and its interpreters. Digital technology can augment the editor’s work. The case study of Rossini’s Il barbiere di Siviglia illustrates the many decisions—varying according to the circumstances of the music’s composition and transmission—that an informed editor must make when working with a composer’s autograph score; when there is no autograph, as is the case with the overture to Barbiere, the editor’s task is even more complex. Supplementary materials are provided by the Barbierecritical edition to assist singers in understanding early nineteenth-century Italian opera performance conventions.
Sign in
Personal account
- Sign in with email/username & password
- Get email alerts
- Save searches
- Purchase content
- Activate your purchase/trial code
- Add your ORCID iD
Purchase
Our books are available by subscription or purchase to libraries and institutions.
Purchasing informationMonth: | Total Views: |
---|---|
November 2022 | 7 |
December 2022 | 6 |
January 2023 | 4 |
March 2023 | 5 |
April 2023 | 4 |
May 2023 | 1 |
June 2023 | 5 |
July 2023 | 1 |
September 2023 | 3 |
January 2024 | 2 |
March 2024 | 3 |
April 2024 | 3 |
May 2024 | 1 |
July 2024 | 4 |
August 2024 | 2 |
September 2024 | 2 |
October 2024 | 1 |
November 2024 | 1 |
January 2025 | 4 |
February 2025 | 1 |
Get help with access
Institutional access
Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways:
IP based access
Typically, access is provided across an institutional network to a range of IP addresses. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.
Sign in through your institution
Choose this option to get remote access when outside your institution. Shibboleth/Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic.
If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.
Sign in with a library card
Enter your library card number to sign in. If you cannot sign in, please contact your librarian.
Society Members
Society member access to a journal is achieved in one of the following ways:
Sign in through society site
Many societies offer single sign-on between the society website and Oxford Academic. If you see ‘Sign in through society site’ in the sign in pane within a journal:
If you do not have a society account or have forgotten your username or password, please contact your society.
Sign in using a personal account
Some societies use Oxford Academic personal accounts to provide access to their members. See below.
Personal account
A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions.
Some societies use Oxford Academic personal accounts to provide access to their members.
Viewing your signed in accounts
Click the account icon in the top right to:
Signed in but can't access content
Oxford Academic is home to a wide variety of products. The institutional subscription may not cover the content that you are trying to access. If you believe you should have access to that content, please contact your librarian.
Institutional account management
For librarians and administrators, your personal account also provides access to institutional account management. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.