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Wagner, Modernism, and Politics Wagner, Modernism, and Politics
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Defining Opera after 1900 Defining Opera after 1900
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Wagner Wagner
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Modernism Modernism
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Politics Politics
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Biography of a City: Aufstieg und Fall der Stadt Mahagonny Biography of a City: Aufstieg und Fall der Stadt Mahagonny
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Bibliography Bibliography
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48 1900–1945
Get accessJoy H. Calico is Cornelius Vanderbilt Professor of Musicology at Vanderbilt University and Editor-in-Chief of the Journal of the American Musicological Society. She is the author of Arnold Schoenberg’s “A Survivor from Warsaw” in Postwar Europe (2014) and Brecht at the Opera (2008), both from the University of California Press.
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Published:07 April 2015
Cite
Abstract
This chapter considers three trends evident in recent research on opera in the period 1900–1945. Scholars tend to situate the genre, as well as individual works and composers, in relation to Wagner’s influence; they challenge and expand received wisdom about modernism, either admitting previously marginalized repertoire to that canon or proposing multiple modernisms; and they pursue nuanced analyses of the relationship between opera and Nazi/Fascist regimes. Precisely how one might define opera in a period of such great experimentation is also discussed. Kurt Weill and Bertolt Brecht’s Aufstieg und Fall der Stadt Mahagonny is presented as a case study in which all of these approaches are fruitful.
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