
Contents
-
-
-
-
-
-
-
-
-
-
-
-
-
Patrons, Entrepreneurs, or Philanthropists? Patrons, Entrepreneurs, or Philanthropists?
-
Opera and the Construction of the Patron Opera and the Construction of the Patron
-
Negotiating Space Negotiating Space
-
Conclusions Conclusions
-
Notes Notes
-
Bibliography Bibliography
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
29 Patronage
Get accessValeria De Lucca is a Lecturer in Music at the University of Southampton. Her work concentrates on patronage of music and aristocratic culture in early modern Italy, with a particular emphasis on the ways in which gender and class shaped motives, goals and strategies of women patrons and on the role that visual aspects of operatic performance played in the construction of the patron’s identity. Recent publications include “Strategies of women patrons of music and theatre in Rome: Maria Mancini Colonna, Queen Christina of Sweden, and women of their circles” in Renaissance Studies 25/3 (2011) and “L’Alcasta and the Emergence of Collective Patronage in Mid-Seventeenth-Century Rome” in The Journal of Musicology 28/2 (2011). Dr. De Lucca has received grants and fellowships from the Andrew W. Mellon Foundation/American Council of Learned Societies, the British Academy, and the Metropolitan Museum of Art, New York.
-
Published:07 April 2015
Cite
Abstract
The history of opera, one of the most expensive of the performing arts to produce, is inextricably intertwined with the history of its patrons, who not only sustained it financially, but also shaped its form and content in profound and persistent ways. By looking at two case studies from early modern Italy—one from the Medici court of Florence and one from the Venetian commercial theaters—this chapter discusses the double nature of patronage: (1) a process through which composers, poets, and performers helped patrons build a public image that would reflect their social and political agenda; and (2) a form of managerial and financial contribution to the production of opera in the context of public theaters.
Sign in
Personal account
- Sign in with email/username & password
- Get email alerts
- Save searches
- Purchase content
- Activate your purchase/trial code
- Add your ORCID iD
Purchase
Our books are available by subscription or purchase to libraries and institutions.
Purchasing informationMonth: | Total Views: |
---|---|
November 2022 | 7 |
December 2022 | 6 |
January 2023 | 6 |
February 2023 | 3 |
March 2023 | 4 |
May 2023 | 2 |
June 2023 | 8 |
July 2023 | 2 |
August 2023 | 6 |
September 2023 | 3 |
October 2023 | 2 |
November 2023 | 8 |
January 2024 | 2 |
February 2024 | 11 |
March 2024 | 14 |
April 2024 | 6 |
May 2024 | 17 |
June 2024 | 1 |
July 2024 | 5 |
August 2024 | 1 |
September 2024 | 2 |
October 2024 | 5 |
December 2024 | 2 |
January 2025 | 5 |
March 2025 | 1 |
April 2025 | 6 |
Get help with access
Institutional access
Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways:
IP based access
Typically, access is provided across an institutional network to a range of IP addresses. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.
Sign in through your institution
Choose this option to get remote access when outside your institution. Shibboleth/Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic.
If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.
Sign in with a library card
Enter your library card number to sign in. If you cannot sign in, please contact your librarian.
Society Members
Society member access to a journal is achieved in one of the following ways:
Sign in through society site
Many societies offer single sign-on between the society website and Oxford Academic. If you see ‘Sign in through society site’ in the sign in pane within a journal:
If you do not have a society account or have forgotten your username or password, please contact your society.
Sign in using a personal account
Some societies use Oxford Academic personal accounts to provide access to their members. See below.
Personal account
A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions.
Some societies use Oxford Academic personal accounts to provide access to their members.
Viewing your signed in accounts
Click the account icon in the top right to:
Signed in but can't access content
Oxford Academic is home to a wide variety of products. The institutional subscription may not cover the content that you are trying to access. If you believe you should have access to that content, please contact your librarian.
Institutional account management
For librarians and administrators, your personal account also provides access to institutional account management. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.