Skip to Main Content

The Oxford Handbook of Tudor Drama

Online ISBN:
9780191750427
Print ISBN:
9780199566471
Publisher:
Oxford University Press
Book

The Oxford Handbook of Tudor Drama

Thomas Betteridge (ed.),
Thomas Betteridge
(ed.)
Theatre, Oxford Brookes University
Find on

Thomas Betteridge is Professor of Theatre at Brunel University. He has published numerous pieces on English Reformation drama, literature, and history. His books include Tudor Histories of the English Reformations (Ashgate, 1999), Literature and Politics in the English Reformation (Manchester University Press, 2004), and Shakespearean Fantasy and Politics (University of Hertfordshire Press, 2005). His monograph on Sir Thomas More will be published in 2013 by the University of Notre Dame Press. He is also co-editor, with Greg Walker, of The Oxford Handbook of Tudor Drama (Oxford University Press, 2012).

Greg Walker (ed.)
Greg Walker
(ed.)
English Literature, University of Edinburgh
Find on

Greg Walker is Masson Professor of English Literature at the University of Edinburgh.

Published online:
6 November 2012
Published in print:
19 July 2012
Online ISBN:
9780191750427
Print ISBN:
9780199566471
Publisher:
Oxford University Press

Abstract

The Oxford Handbook of Tudor Drama provides an authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between ‘medieval’ and ‘renaissance’, religious and secular, pre- and post-Shakespeare. The articles attend to the contexts, intellectual, theatrical, and historical within which drama was written, produced, and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections which cover religious drama; interludes and comedies, entertainments, masques, and royal entries; and histories and political dramas.

Contents
Close
This Feature Is Available To Subscribers Only

Sign In or Create an Account

Close

This PDF is available to Subscribers Only

View Article Abstract & Purchase Options

For full access to this pdf, sign in to an existing account, or purchase an annual subscription.

Close