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‘Not Longe Ago’ in Cambridge ‘Not Longe Ago’ in Cambridge
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Gammer Gurton's Needle: What Happens and How Gammer Gurton's Needle: What Happens and How
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‘Jolly Good Ale and Old’ ‘Jolly Good Ale and Old’
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Notes Notes
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16 Gammer Gurton's Needle
Get accessAlan J. Fletcher is Professor of Medieval and Renaissance English Language and Literature at University College Dublin and Member of the Royal Irish Academy. His wide research interests centre on early theatre, performance history, and the poetry of the medieval period. Among his many publications are the revised and much expanded second edition of The Cambridge Companion to Medieval English Theatre (Cambridge, 2007), co-edited with Richard Beadle, Drama, Performance, and Polity in Pre-Cromwellian Ireland (University of Toronto Press, 2000), Late Medieval Popular Preaching in Britain and Ireland: Texts, Studies, and Interpretations (Brepols, 2009), and The Presence of Medieval English Literature (Brepols, 2012). He is currently working on a critical edition of the entire corpus of Latin liturgical drama extant from the British Isles.
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Published:06 November 2012
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Abstract
Gammer Gurton's Needle was first made widely available in the edition issued by the London publisher Thomas Colwell in 1575, where its title page announced, among other things, that it was ‘Played on Stage, not longe ago in Christes Colledge in Cambridge’. This article asks why this highly sophisticated piece of Tudor comedy was published at this particular juncture, and from the press of this particular printer. These related questions are worth pursuing because they help reveal something about the perceived cultural and economic value of the play's continued afterlife as this evolved in the wake of that originary moment in Cambridge when it was first set forth ‘not longe ago’. The discussion then goes back towards the moment in Cambridge ‘not longe ago’ when Gammer Gurton's Needle had its début.
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