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Thomas Arden in the Documentary Record Thomas Arden in the Documentary Record
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From History to Drama From History to Drama
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Staging and Dramaturgy Staging and Dramaturgy
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A Sense of Place A Sense of Place
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Authorship Authorship
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Plot Construction Plot Construction
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Notes Notes
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37 Arden of Faversham:The Moral of History and the Thrill of Performance
Get accessRos King is Professor of English Studies at the University of Southampton. A musician and theatre director as well as an academic, she has worked as a dramaturg with Shakespeare's Globe in London, the English Shakespeare Company, and Shakespeare Santa Cruz (California), and has extensive experience giving workshops and talks to school students and teachers. She has edited a range of early modern plays and poems, including Marlowe's Faustus (Methuen, 2005), and The Works of Richard Edwards (Manchester University Press, 2001), and was co-editor of the collection Shakespeare and War (Palgrave Macmillan, 2005). Her other books include Shakespeare: A Beginner's Guide (Oneworld Publications, 2011), and Cymbeline: Constructions of Britain (Ashgate, 2005).
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Published:06 November 2012
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Abstract
On 14 February 1551 a murder took place in Faversham, in the county of Kent. Thomas Arden, former mayor of the town, was killed by his wife Alice, her lover Thomas Morsby, or Mosby, and their accomplices. This article focuses on the popular play spawned by this incident, the anonymous Arden of Faversham (first published by Edward White in 1592), which also created a new genre of true-life domestic tragedy. The play follows the well-known events of the story very closely, but it combines Cicely Ponder and Arden's household maid Elizabeth into one character, Susan, which has the effect of linking the murderers even more strongly together in both rivalry and obligation. The play's publication, staging and dramaturgy, authorship, and plot construction are discussed.
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