
Contents
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Experimentation and the Limits of Philosophy Experimentation and the Limits of Philosophy
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Romanticism and the Philosophical Experiment Romanticism and the Philosophical Experiment
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Modernism and Necessity: Stein Modernism and Necessity: Stein
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Lukács and Productive Form Lukács and Productive Form
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Form and the Subject: Beckett Form and the Subject: Beckett
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The Event: Cavell and Lyotard The Event: Cavell and Lyotard
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The Promise of Experimental Writing The Promise of Experimental Writing
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Notes Notes
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References References
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9 Experimental Writing
Get accessR. M. Berry is coeditor of Fiction's Present: Situating Contemporary Narrative Innovation and author, most recently, of the novel Frank and story collection Dictionary of Modern Anguish. His critical writings have appeared in Soundings, Symploke, Philosophy and Literature, Narrative, and various anthologies. He is currently professor and chair of English at Florida State University.
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Published:02 September 2009
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Abstract
This article looks at the relation of experimental writing to philosophy. It discusses Theodor Adorno's thoughts about experimental literature as contained in his Aesthetic Theory. It explains that Adorno believed that there is a deep bond between the topic of artistic experimentation, especially in literature, and the possibility of conducting philosophy. It suggests that if the modern tendency toward aesthetic nominalism is not an accidental result of historical misunderstandings but originates in a universal of art, then experimental writing would seem to mark conceptualization's limit. It also discusses György Lukács and Samuel Beckett's opinion about experimental literature.
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