
Contents
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Preliminary Remarks: Of the Genres of Laughter Preliminary Remarks: Of the Genres of Laughter
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Nietzsche and Comedy's Spectators Nietzsche and Comedy's Spectators
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Plato's Symposium and the Unity of Comedy and Tragedy Plato's Symposium and the Unity of Comedy and Tragedy
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A Closer Look at Aristophanes: The Birds, Love, and Language A Closer Look at Aristophanes: The Birds, Love, and Language
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From Shakespeare to the Movies: The Transformation of Women, the Trial of Words, and the Oracle of the Everyday From Shakespeare to the Movies: The Transformation of Women, the Trial of Words, and the Oracle of the Everyday
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Walking Away in Time Walking Away in Time
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Notes Notes
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References References
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4 Comedy
Get accessTimothy Gould is professor of philosophy at the Metropolitan State College of Denver. He has written articles on Kant's aesthetics, Emerson, Thoreau, Nietzsche, Romanticism, and Wittgenstein and is the author of Hearing Things: Voice and Method in the Writing of Stanley Cavell. He is completing a book manuscript titled The Names of Action, with chapters on Austin, Wittgenstein, Cavell, Emerson, Marx, and Nietzsche. He has also been writing a series of essays on narrative in comedy, history, movies, autobiography, and trauma, tentatively titled Saving the Story.
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Published:02 September 2009
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Abstract
This article examines the literary genre of comedy. It suggests the possible roots of comedy in drama and argues that while the roots of the festive and the festival may account for some forms of comedy, not all forms of humor are festive and not all forms of the festive become embodied in forms of drama or the dramatic. It describes the works of Aristophanes and discusses Plato and Friedrich Nietzsche's thoughts about comedy.
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