
Contents
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Plato's Complaint Plato's Complaint
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Aristotle's Pity? Aristotle's Pity?
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Oedipus the King Oedipus the King
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Hegel's Tragic Dialectic? Hegel's Tragic Dialectic?
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Hamlet Hamlet
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The Death of Tragedy? The Death of Tragedy?
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Notes Notes
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References References
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3 Tragedy
Get accessJ. M. Bernstein is University Distinguished Professor of Philosophy at the New School for Social Research. Among his books are The Fate of Art, Adorno: Disenchantment and Ethics, and Against Voluptuous Bodies: Late Modernism and the Meaning of Painting. He edited and introduced Classic and Romantic German Aesthetics. He is currently working on a book provisionally titled Torture and Dignity.
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Published:02 September 2009
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Abstract
This article looks at the relevance of the literary genre of tragedy to philosophy. It suggests that tragedy matters to philosophy in part because philosophy at its inception attempts to authorize itself by banishing the tragic poets. There is something about tragedy that directly challenges philosophy's original self-understanding and some content or manner of tragedy requires either refutation or acknowledgment that cannot be put aside. This article examines Aristotle's Poetics and Georg Wilhelm Friedrich Hegel's Lectures on Fine Art and describes three tragic narratives, Oedipus the King, Hamlet, and the emergent tragic narration of the Holocaust.
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