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“Cilmi Is Our Ka’bah”: Love(-Suffering) Finds Voice “Cilmi Is Our Ka’bah”: Love(-Suffering) Finds Voice
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Of Broken Hearts and Broken Lorries: A Genre Is Born Of Broken Hearts and Broken Lorries: A Genre Is Born
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Love and Revolution: Mainstreaming Music and Romance Love and Revolution: Mainstreaming Music and Romance
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The Not-Yet-Archived: Love Songs in the Aftermath of War The Not-Yet-Archived: Love Songs in the Aftermath of War
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The Anatomy of an Archive … and Beyond The Anatomy of an Archive … and Beyond
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One Anatomy of a Love Song
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Published:November 2023
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Abstract
This chapter documents the historical, religious and sociopolitical conditions that gave rise to love songs (hees jacayl) as a distinct form of Somali orature. It specifically explores the “anatomy” of Somali love songs by tracing two key component parts of the genre as it has developed over the last century: a particular kind of emotive first-person voice, and a conception of love that is so tightly associated with pain that it frequently ravages love-sufferers’ bodily anatomy. Anchored in a series of encounters the author had in the sound archive at the Hargeysa Cultural Centre, it traces the development of Somali love songs from the 1930s love poetry of Cilmi Boodhari to the renegade musical experimentation of Cabdullahi Qarshe, to musical production under Siyaad Barre’s regime, and finally the refiguring of music and love in the postwar period. Combining historical descriptions and song lyrics with the stories that people tell about love songs, this chapter gives a layered account of the multi-valent sounding of love songs across time, and the nature of the “voice” and “love” that animate these songs.
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