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Lonely Listeners, Attentive Ears: Aural Attention in Hargeysa’s Contested Soundscapes Lonely Listeners, Attentive Ears: Aural Attention in Hargeysa’s Contested Soundscapes
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Preparing for and Articulating Love Preparing for and Articulating Love
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Healing the Wounds of Love Healing the Wounds of Love
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Remembering Love(-Pain), Cultivating Mercy Remembering Love(-Pain), Cultivating Mercy
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Keeping the Romance Alive Keeping the Romance Alive
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Listening to Love Listening to Love
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Four Listening to Love
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Published:November 2023
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Abstract
Chapter 4 focuses on private, mainly solitary, love song listening. After sketching the sociopolitical, religious, and technological contours of Hargeysa’s contemporary soundscapes, it profiles five different listeners of varying ages and love biographies. Keenly attentive to the affective power of love songs as sonic-textual objects, these listeners each put love songs to work strategically in their own lives—whether it be to help them articulate love sentiments, make claims on their intimate partners, commiserate (aurally) with other love-sufferers, heal various love wounds, or foster romance. Focusing on both the intentional and affectively-attuned attention that listeners bring to the work of listening and the kind of listening subjectivities enabled by the “voice” of love songs, here we see love songs open out into a range of (multivocal) voicing arrangements that each enable new forms of dareen-wadaag (feeling-sharing), providing an orienting framework for love itself. This chapter also argues for an anthropology of voice attentive to the work of listening, and highlights the critical role played by ears in the making of the voice
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