
Contents
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Sounding Love: A Brief History of Somali Oud Playing Sounding Love: A Brief History of Somali Oud Playing
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Lesson One: On Perseverance and Finding Place Lesson One: On Perseverance and Finding Place
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Lesson Two: Watch, Listen, Move, Repeat Lesson Two: Watch, Listen, Move, Repeat
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Lesson Three: Sounding Emotion, Feeling the Song Lesson Three: Sounding Emotion, Feeling the Song
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Cultivating Sounds and Voices of Love Cultivating Sounds and Voices of Love
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Five Bodies of Music, Instruments of Love
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Published:November 2023
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Abstract
Chapters 5 and 6 focus on the politics of love songs’ contemporary production, and the types of persons and spaces that produce and are produced by the live performance of love songs. The focus of chapter 5 is the work of sounding love. The author uses her own oud lessons with Cabdinaasir Macallin Caydiid—a renowned oud player and veteran of the Somali National Movement—to reflect on the making of musical personhood. In a setting where music-making is contested, this is a process whereby one learns to occupy a specific sociopolitical role, and to relate to those within and outside an artistic community of practice in certain ways. It is also an immersive and embodied process during which aspiring musicians not only learn the techniques used to produce particular sounds, but must also cultivate an acute awareness of their own voice—instrumental or otherwise—and its relationship to the affectively-charged voices of others. This chapter thus explores the social, emotional and technical work that goes into developing one’s musical voice, and the intimate, multivocal socialities and affordances this further distills into love songs.
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