.... Conclusions Vibrator use during both solo and partnered sexual acts was common among the gay and bisexually identified men in this sample and was described by men as adding to the quality of their sexual experiences. Ga Bisexua Vibrato Sexual Healt Vibrators are widely available through traditional...

...; vibrato; hautboy intonation and keyboard temperaments; and technical limitations. hautboy training schools La Barre Michel de tutors stance when playing angle at which the hautboy was held hand position sitting or standing while playing bassoon Bismantova Bartolomeo breathing posture...

...Table 5.1. Comparison of vibrato rates at ends of phrases Adele’s “Rolling in the Deep” and Véronic’s Impersonation /ɑ/in “Heart” Adele 6.67 Hz /ɑ/in “Heart” Véronic 6.67 Hz /ɑ/in “Dark” Adele 5.88 Hz /ɑ/in “Dark” Véronic 6.25 Hz Lady Gaga’s “Born...

... the angle the fingers should have when landing on the string and the optimum position of the wrist; keeping the thumb flexible; general hand frame from 1st to 4th position and 4th upward, learning the relationships between each pair of fingers; freeing a tight vibrato; and making vibrato rhythmically even...

...Playing & Teaching the Saxophone. Allison D. Adams and Brian R. Horner, Oxford University Press. © Oxford University Press 2023. DOI: 10.1093/oso/9780197627594.003.0029 Vibrato is a technique used by many musicians to enhance musical expression. Chapter 29 explores its...

... provides suggestions on how the vocalist can recognize, adapt to, and optimize the instrument with the passing years. menopause aging vibrato wobble larynx Singers are musicians, but with one fundamental difference: the larynx is a living instrument. And, while the violin is also activated...

...Figure 5.1. Thalberg (1853/1857 , p. 5) superscripted signs. Figure 5.2. Bars 65–69 from Joachim’s Romanze, showing application of vibrato in Joachim’s 1903 recording (wavy lines are author’s annotations). Figure 5.3. Bars 29–30 from Schumann’s Romance...

... while refocusing on the lower range. Shakespeare tonal Cleopatra declamation Ophelia traditional tune ghostly quasi non vibrato Soprano and piano (also available in a version for string orchestra) ; range: Duration: c.9′ T III; M II THIS is a most appealing cycle, suitable...

... a powerful appeal, with its arresting blend of Eastern and Western idioms. The vocal writing is clearly influenced by Indian music, and this means that the full vibrato of much Western singing should be kept firmly in check. Maintaining a forward-placed, clear tone on sustained low notes requires control...

...Attitudes towards vibrato have changed radically since the 19th century. This chapter discusses terminology, such as Bebung, tremolo, balancement, ondulation, and the different meanings of the term vibrato, during...

... student. Additionally he specifically addresses Yankelevich’s approach to positioning the hands, tone production, technical exercises, intonation, vibrato, fingerings and bowings, and methods of selecting and working on repertoire. Grigoryev highlights Yankelevich’s understanding of the fundamental...

... the opulent beauty of the singing of Renata Tebaldi, they often object to such elements as limited vibrato—although it is a mistake to assume that Baroque singers never use any vibrato. However, the early music community itself argues over Baroque singing. Reconstructing historical singing styles has proved...

.... This chapter presents an interview with Gardiner on Berlioz and Johannes Brahms, 19th century music, orchestras and period instruments, the use of violins, tone color in music, and the use of vibrato and portamento. Bizet George Britten Benjamin Dahlhaus Carl Instruments Lyon Opera de Mahler Gustav Nord...

... on proper performance style, he insisted that using a vocal vibrato was inappropriate; his own voice, however, had a vibrato. In addition, though he presented himself as an Irish-language singer, most of his songs performed in the United States were in the English language. Connemara folk music collectors...

... manipulations of vibrant energy, and shows what they engender: in Laban, a process of transmission between dancers and spectators; in Wigman, an “action mode” of movement, which she called “vibrato”; and, in Benjamin, a possibility for philosophical insight, but also a disruptive revolutionary charge. Benjamin...

... differences between them. Similarly, aspiring jazz singers need to study all the things that instrumental jazz musicians do and then incorporate words. Topics covered in this chapter include (a) teaching the differences in timbre and vibrato that create the unique jazz vocal sound; (b) centering jazz vocal...

... School since 1982. In this interview, she discusses her early life and career, auditions, her teaching, and the relationship of vocal and instrumental music. She offers advice on tone production, articulation, reeds, and vibrato. She talks about the differences between playing in an opera orchestra...

... Philharmonic Orchestras. In this interview, he discusses his early career, tone, reeds, vibrato, and the application of the string concept of louré to oboe. He shares his ideas on breathing, air support, and making a musical plan. He closes with reminiscences of great concerts. MacDonagh...

... describes his brand of “musical activism” and his mindset while playing. He offers ideas for developing technique and shares his difficulties with focal dystonia. Klein offers advice on the use of air and vibrato and shares memorable experiences. beginning oboe teaching activism mindset technique...

... in 2005. He played assistant principal oboe until 1964 and served as principal English horn from 1964 to 2005. In this interview, he discussed warming up, technique, breathing, breath control, and vibrato. He provided advice on reeds, auditions, how to prepare for a performance, and tone production. He...