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1. What ’tis to Love (As You Like It: Act V Scene I) 1. What ’tis to Love (As You Like It: Act V Scene I)
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2. Give Me My Robe (Antony and Cleopatra: Act V Scene II) 2. Give Me My Robe (Antony and Cleopatra: Act V Scene II)
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3. How Should I Your True Love Know? (Hamlet: Act IV Scene V) 3. How Should I Your True Love Know? (Hamlet: Act IV Scene V)
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4. First Rehearse (A Midsummer Night’s Dream: Act V Scene II) 4. First Rehearse (A Midsummer Night’s Dream: Act V Scene II)
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CECILIA McDOWALL (b. 1951)Four Shakespeare Songs (1991): Texts from Shakespeare
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Published:July 2020
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Abstract
This chapter examines Cecilia McDowall's works. It shows that the cycle featured here is suitable for a youthful, light-voiced soprano with a well-placed upper range. McDowall, justifiably admired for her choral writing, has a great empathy with the way the voice works and feels, and she consistently displays a deft touch and fine ear, combined with a strong awareness of practicalities. The four songs are well contrasted, and they offer ample scope for the singer to exhibit a degree of vocal virtuosity without being unduly stretched in portraying these disparate characters with skill and aplomb. The tonal idiom, notated in standard fashion, replete with key signatures, is agreeably fresh and direct, and the music flows along with a natural momentum and openness of expression. A relatively simple but effective piano part supports the voice, often illustrating and embellishing the texts. Vocal lines cover a broad compass, and some sit rather high, but in these instances the composer wisely avoids strain by allowing the voice to relax while refocusing on the lower range.
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