1-20 of 173
Keywords: timbre
Sort by
Journal Article
Nancy Yunhwa Rao
Music Theory Spectrum, Volume 45, Issue 1, Spring 2023, Pages 151–155, https://doi.org/10.1093/mts/mtac025
Published: 03 February 2023
...Nancy Yunhwa Rao [email protected] materiality timbre East Asia Guo Wenjing Peking (Beijing) opera Takemitsu Isang Yun interculturalism © The Author(s) 2023. Published by Oxford University Press on behalf of The Society for Music Theory. All rights reserved. For permissions, please e...
Journal Article
Christine Nussbaum and others
Social Cognitive and Affective Neuroscience, Volume 17, Issue 12, December 2022, Pages 1145–1154, https://doi.org/10.1093/scan/nsac033
Published: 06 May 2022
... with full emotional information, accuracy in both parameter-specific conditions would be inferior since both F0 and timbre carry unique information important for successful emotional decoding. However, we speculated that the relative importance of F0 vs timbre would differ as a function of emotion...
Journal Article
Jennifer Iverson
Music Theory Spectrum, Volume 39, Issue 2, Fall 2017, Pages 200–222, https://doi.org/10.1093/mts/mtx017
Published: 06 September 2017
... collaboration technicians scientists sound effects Morgenröte timbre acoustics psychoacoustics additive synthesis In 2008, as part of the expansive 122 CD series Musik in Deutschland 1950–2000, RCA released Morgenröte, a previously uncirculated electronic piece produced...
Journal Article
Ciro Scotto
Music Theory Spectrum, Volume 38, Issue 2, Fall 2016, Pages 178–199, https://doi.org/10.1093/mts/mtw013
Published: 10 February 2017
... of ppp to fff. While the change from 0 to 1 is binary, several points along the continuum produce a perceivable change in the distortion timbre as the triangle wave incrementally morphs into a square wave ( Ex. 11 ). The first point occurs when the triangle wave loses its peak. The second point...
Journal Article
EDITOR'S CHOICE
Manon Grube and others
Brain, Volume 139, Issue 6, June 2016, Pages 1817–1829, https://doi.org/10.1093/brain/aww067
Published: 09 April 2016
... of primary progressive aphasia is not established. Using non-linguistic stimuli devoid of meaning we assessed three key domains of auditory processing (pitch, timing and timbre) in a consecutive series of 18 patients with primary progressive aphasia (eight with semantic variant, six with non-fluent...
Journal Article
Michael J. Silverman and Edward T. Schwartzberg
Journal of Music Therapy, Volume 51, Issue 2, Summer 2014, Pages 171–185, https://doi.org/10.1093/jmt/thu009
Published: 27 June 2014
... of basic research investigating how music carrying information might facilitate recall and subsequent learning. Objective: The purpose of the current study was to determine the effects of voice timbre and accompaniment on working memory as measured by recall performance on a sequential digit recall...
Journal Article
Séverine Samson and others
Brain, Volume 125, Issue 3, March 2002, Pages 511–523, https://doi.org/10.1093/brain/awf051
Published: 01 March 2002
... control subjects were tested in a task involving judgements of timbre dissimilarity in single tone and melodic conditions. Perceptual correlates of spectral and temporal parameters resulting from changing the number of harmonics and rise‐time duration, respectively, were investigated by using...
Journal Article
Séverine Samson and others
Brain, Volume 125, Issue 3, March 2002, Pages 511–523, https://doi.org/10awf051.pdf3/brain/awf051
Published: 01 March 2002
...; n = 15) anterior temporal lobectomy at the Montreal Neurological Institute for the relief of intractable partial complex seizures participated in this experiment, as well as 15 normal control (NC) subjects. All these subjects were tested in a previous study examining timbre discrimination ( Samson...
Chapter
Published: 15 February 2018
...This chapter considers some general approaches to the study of timbre and how they might be applied to rock; it also surveys the major rock instruments and the kinds of sounds they can produce. With regard to instrumentation—the choice of instruments and the ways that they are used—the focus...
Chapter
Published: 05 May 2016
...Sofia Gubaidulina’s Second String Quartet “musically thinks” difference, enacting in musical sound how difference arises through repetition. This analytical essay demonstrates how processes of timbre, dynamics, articulations, register, and pitch shape the Quartet’s overall formal design in which...
Chapter
Published: 18 May 2018
... techniques that might enhance their orchestration while masking the instrument’s metallic timbre. Less nuanced, the chapter proposes, were the theater practitioners who gratuitously struck the gong to enhance climaxes or cover stage noises, rendering it an all-purpose sound technology. Puccini’s...
Chapter
Published: 02 June 2016
...The perception of a sound’s timbre and pitch may be related to the more basic auditory function of sound recognition. Timbre may be related to the sensory experience (or memory) by which we recognize the source or meaning of a sound, while pitch may involve the recognition and mapping of timbres...
Chapter
Published: 05 March 2020
..., the musical soundtrack, and the plot itself. Harry Potter Rowling J K Simmons Clare video games Ward Renée film music Haines John Williams John horn call pastoralism Soule Jeremy timbre Robin Hood Upton Elizabeth Randell van Elferen Isabella Wagner Richard Disney harp Scott Sir Walter...
Chapter
Published: 05 February 2013
... for itself a niche within the orchestral context—a vision that has not yet been permanently realized. Duke Ellington, for example, noted the clash between the saxophone timbre and the orchestral sound world during his work with Maurice Peress in the orchestrating of his suite Black, Brown and Beige...
Chapter
Published: 13 June 2019
...: Performing Arts Journal Publications. Zetterholm, Elisabeth . 2002 . “ A Comparative Survey of Phonetic Features of Two Impersonators. ” Proceedings of Fonetik 44 (1): 129–32. Singing impersonation also involves acoustic features that lead to the perception of timbre...
Chapter
Published: 13 June 2019
Chapter
Published: 01 March 2016
...” associated with a given performance. It then examines musical elements that resist analysis and classification, including timbre, nonstandard pitches or tunings, and rhythmic flexibility. It also explains how jazz musicians respond to emergent developments in a group improvisation and how people's ways...
Chapter
Published: 22 September 2015
...In this essay, James Tenney discusses the development of the structural potentialities of rhythm, dynamics, and timbre in the early nontonal music of Arnold Schoenberg. Beginning with the Three Piano Pieces op. 11, and continuing through Pierrot Lunaire and the Four Songs...
Chapter
Published: 22 September 2015
... of Anton von Webern and Edgard Varèse; a dissatisfaction with all purely synthetic electronic music that he had heard up to that time, particularly with respect to timbre; and a growing interest in the work and ideas of John Cage. He left in March 1964 with six tape compositions of computer-generated...
Chapter
Published: 22 September 2015
...James Tenney discusses the physical correlates of timbre using the digital computer technique developed at the Bell Telephone Laboratories. His intention is to synthesize a large class of timbres, first by considering the physical properties of natural sounds as well as sounds produced...