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Volume 61, Issue 4, Winter 2020
Original Articles
Italian neorealism and the ‘woman’s film’: Selznick, De Sica and Stazione Termini
Screen, Volume 61, Issue 4, Winter 2020, Pages 505–524, https://doi.org/10.1093/screen/hjaa050
Politics of indeterminacy: utopia and crisis in the essay film
Screen, Volume 61, Issue 4, Winter 2020, Pages 525–544, https://doi.org/10.1093/screen/hjaa052
The queer underside of La dolce vita: towards an ‘anal theory’ of looking
Screen, Volume 61, Issue 4, Winter 2020, Pages 545–567, https://doi.org/10.1093/screen/hjaa051
Everything we are seeing we have already seen: citation in the cinema of Raúl Ruiz
Screen, Volume 61, Issue 4, Winter 2020, Pages 568–585, https://doi.org/10.1093/screen/hjaa053
Dossier
Absorbed in experience: new perspectives on immersive media Introduction
Screen, Volume 61, Issue 4, Winter 2020, Pages 586–593, https://doi.org/10.1093/screen/hjaa054
Towards an-iconology: the image as environment
Screen, Volume 61, Issue 4, Winter 2020, Pages 594–603, https://doi.org/10.1093/screen/hjaa060
Interview with Alejandro G. Iñárritu
Screen, Volume 61, Issue 4, Winter 2020, Pages 604–614, https://doi.org/10.1093/screen/hjaa056
‘Real-time’ virtual reality and the limits of immersion
Screen, Volume 61, Issue 4, Winter 2020, Pages 615–624, https://doi.org/10.1093/screen/hjaa058
Togetherness?
Screen, Volume 61, Issue 4, Winter 2020, Pages 625–634, https://doi.org/10.1093/screen/hjaa059
Prosthetic architectures of the senses: museums and immersion
Screen, Volume 61, Issue 4, Winter 2020, Pages 635–645, https://doi.org/10.1093/screen/hjaa057
Research Note
Brews and brows: shaping stories from eyebrows to scousebrows
Screen, Volume 61, Issue 4, Winter 2020, Pages 646–654, https://doi.org/10.1093/screen/hjaa055
Reviews
Ben Lamb, You’re Nicked: Investigating British Television Police Series
Screen, Volume 61, Issue 4, Winter 2020, Pages 655–658, https://doi.org/10.1093/screen/hjaa064
Nilo Couret, Mock Classicism: Latin American Film Comedy, 1930–1960.
Screen, Volume 61, Issue 4, Winter 2020, Pages 655–657, https://doi.org/10.1093/screen/hjaa065
Patrick Keating, The Dynamic Frame: Camera Movement in Classical Hollywood (Film and Culture Series)
Screen, Volume 61, Issue 4, Winter 2020, Pages 661–664, https://doi.org/10.1093/screen/hjaa062
Ann duCille, Technicolored: Reflections on Race in the Time of TV
Screen, Volume 61, Issue 4, Winter 2020, Pages 664–667, https://doi.org/10.1093/screen/hjaa066
Merrie Snell, Lipsynching (Study of Sound Series)
Screen, Volume 61, Issue 4, Winter 2020, Pages 668–670, https://doi.org/10.1093/screen/hjaa061
Thomas Elsaesser, European Cinema and Continental Philosophy: Film as Thought Experiment
Screen, Volume 61, Issue 4, Winter 2020, Pages 671–675, https://doi.org/10.1093/screen/hjaa063
Contributors
Contributors
Screen, Volume 61, Issue 4, Winter 2020, Pages 676–678, https://doi.org/10.1093/screen/hjab001
