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Volume 61, Issue 3, Autumn 2020
Articles
Did Madame Mao dream in Technicolor? Rethinking Cold War colour cinema through Technicolor’s ‘Chinese copy’
Screen, Volume 61, Issue 3, Autumn 2020, Pages 343–367, https://doi.org/10.1093/screen/hjaa048
Rambo in the dead lands: on cinema, war and climate
Screen, Volume 61, Issue 3, Autumn 2020, Pages 368–384, https://doi.org/10.1093/screen/hjaa047
‘Can’t you hear me?’ Ideologies of the voice in giallo cinema
Screen, Volume 61, Issue 3, Autumn 2020, Pages 385–402, https://doi.org/10.1093/screen/hjaa031
In search of the Greek television author: the social dramas of Manousos Manousakis
Screen, Volume 61, Issue 3, Autumn 2020, Pages 403–422, https://doi.org/10.1093/screen/hjaa040
The eye and the gaze: peering into Samuel Beckett’s Film
Screen, Volume 61, Issue 3, Autumn 2020, Pages 423–435, https://doi.org/10.1093/screen/hjaa032
Dossier
The ladies take over: female-centred film series in studio-era Hollywood. Introduction
Screen, Volume 61, Issue 3, Autumn 2020, Pages 436–440, https://doi.org/10.1093/screen/hjaa042
Hildegarde Withers enters the men’s room: getting things done like a woman in the depression-era detective film series?
Screen, Volume 61, Issue 3, Autumn 2020, Pages 441–449, https://doi.org/10.1093/screen/hjaa044
‘B’ for Blane and ‘B’ for budget: the productivity and narrativity of the Torchy Blane Series
Screen, Volume 61, Issue 3, Autumn 2020, Pages 450–457, https://doi.org/10.1093/screen/hjaa043
Nobody’s little girl: Nancy Drew goes to the movies
Screen, Volume 61, Issue 3, Autumn 2020, Pages 458–466, https://doi.org/10.1093/screen/hjaa045
Blondie knows best: Columbia Pictures’ Blondie series (1938–50)
Screen, Volume 61, Issue 3, Autumn 2020, Pages 467–476, https://doi.org/10.1093/screen/hjaa046
Reviews
Francesco Pitassio, Neorealist Film Culture 1945–1954: Rome, Open Cinema
Screen, Volume 61, Issue 3, Autumn 2020, Pages 477–479, https://doi.org/10.1093/screen/hjaa033
Katherine Groo, Bad Film Histories: Ethnography and the Early Archive
Screen, Volume 61, Issue 3, Autumn 2020, Pages 480–483, https://doi.org/10.1093/screen/hjaa041
Lucy Bolton, Contemporary Cinema and the Philosophy of Iris Murdoch.
Screen, Volume 61, Issue 3, Autumn 2020, Pages 483–487, https://doi.org/10.1093/screen/hjaa035
Susan Murray, Bright Signals: A History of Colour Television
Screen, Volume 61, Issue 3, Autumn 2020, Pages 487–489, https://doi.org/10.1093/screen/hjaa034
Ofer Eliaz, Cinematic Cryptonymies: The Absent Body in Postwar Film
Screen, Volume 61, Issue 3, Autumn 2020, Pages 489–492, https://doi.org/10.1093/screen/hjaa039
Adriana Estrada Álvarez, Nicolás Défossé and Diego Zavala Scherer (eds), Cine Político en México (1968–2017)
Screen, Volume 61, Issue 3, Autumn 2020, Pages 492–496, https://doi.org/10.1093/screen/hjaa038
Nico Baumbach, Cinema/Politics/Philosophy
Screen, Volume 61, Issue 3, Autumn 2020, Pages 496–499, https://doi.org/10.1093/screen/hjaa037
Haidee Wasson and Lee Grieveson (eds), Cinema’s Military Industrial Complex
Screen, Volume 61, Issue 3, Autumn 2020, Pages 499–501, https://doi.org/10.1093/screen/hjaa036
Contributors
Contributors
Screen, Volume 61, Issue 3, Autumn 2020, Pages 502–504, https://doi.org/10.1093/screen/hjaa049
