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Demonstrative: Homer Iliad 16.844 Demonstrative: Homer Iliad 16.844
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“Incomplete” Conditional Sentence “Incomplete” Conditional Sentence
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Aposiopesis Aposiopesis
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Gesture for Apodosis Gesture for Apodosis
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Well and Good: Homer Iliad 1.134–39 Well and Good: Homer Iliad 1.134–39
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Beware! Homer Iliad 1.580–81 Beware! Homer Iliad 1.580–81
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Well and Good: Homer Iliad 16.559–61 Well and Good: Homer Iliad 16.559–61
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I Assure You: Homer Odyssey 1.187–89 I Assure You: Homer Odyssey 1.187–89
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Yes: Homer Iliad 6.150 Yes: Homer Iliad 6.150
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I’ll Show You: Homer Iliad 21.487–89 I’ll Show You: Homer Iliad 21.487–89
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So What! Homer Odyssey 21.259–62 So What! Homer Odyssey 21.259–62
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Gesture For Protasis Gesture For Protasis
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If You Like: Homer Iliad 9.46–47 If You Like: Homer Iliad 9.46–47
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If You Please: Homer Iliad 9.262 If You Please: Homer Iliad 9.262
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Summary Summary
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Cite
Abstract
This chapter examines the author of the Iliad and the Odyssey: Homer. It considers how rhapsodes acted out to some degree the works they recited. Homer anticipated the rhapsodes' (or his own) performance and employed elements of that performance as he composed. His syntax includes nonverbal communication as well as words. When one invokes gesture to explain an ambiguity or an anacolouthon in a text, it is important to note that for the poet both forms of expression, the verbal and the corporal, are so closely intertwined as to be indistinguishable at times. A poet or rhapsode provided the gestures that established clarity and consequence. A corollary follows naturally: it is that the word aposiopesis is not in itself without qualification appropriate in every case as a way of explaining ellipses, because physical movement, while it may be silent, does nevertheless transmit information. It is the writing that makes sentences appear to be elliptical. A speaker would have filled such silences with expressive body language.
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