The Making of Barbarians: Chinese Literature and Multilingual Asia
The Making of Barbarians: Chinese Literature and Multilingual Asia
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Abstract
Debates on the canon, multiculturalism, and world literature often take Eurocentrism as the target of their critique. But literature is a universe with many centers, and one of them is China. The book offers an account of world literature in which China, as center, produces its own margins. The book investigates the meanings of literary translation, adaptation, and appropriation on the boundaries of China long before it came into sustained contact with the West. When scholars talk about comparative literature in Asia, they tend to focus on translation between European languages and Chinese, Korean, and Japanese, as practiced since about 1900. In contrast, the book focuses on the period before 1850, when the translation of foreign works into Chinese was rare because Chinese literary tradition overshadowed those around it. The book looks closely at literary works that were translated into Chinese from foreign languages or resulted from contact with alien peoples. It explores why translation was such an undervalued practice in premodern China, and how this vast and prestigious culture dealt with those outside it before a new group of foreigners—Europeans—appeared on the horizon.
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Front Matter
- Introduction Intrinsically Extrinsic: 物无非彼,物无非是
- 1 The Nine Relays: Translation in China: 殊方九譯之俗:多語亞洲作為文學系統
- 2 Can the Barbarians Sing? 四夷作樂乎?
- 3 The Hanzi wenhua quan: Center, Periphery, and the Shaggy Borderlands: 「漢字文化圈」: 中心、邊陲與荒野
- 4 The Formation of China: Asymmetries in the Writing of History: 形塑中國:歷史書寫的若干不對稱性
- 5 Exiles and Emissaries amid Their New Neighbors: The View from the Edge of the World: 「咨爾漢黎,均是一民」 :在世界邊緣上
- Conclusion Frames, Edges, Escape Codes: 窅然喪其天下焉
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End Matter
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