Unbecoming Blackness: The Diaspora Cultures of Afro-Cuban America
Unbecoming Blackness: The Diaspora Cultures of Afro-Cuban America
Cite
Abstract
This book uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences. It shows how Afro-Cuban writers and performers in the U.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O'Farrill, Eusebia Cosme, Rómulo Lachatañeré, and others, Afro-Cubanness articulates the African diasporic experience in ways that deprive negro and mulato configurations of an exclusive link with Cuban nationalism. Instead, what is invoked is an “unbecoming” relationship between Afro-Cubans in the United States and their domestic black counterparts. The transformations in Cuban racial identity across the hemisphere, represented powerfully in the literary and performance cultures of Afro-Cubans in the Unuted States, provide the fullest account of a transnational Cuba, one in which the Cuban American emerges as Afro-Cuban-American, and the Latino as Afro-Latino.
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Front Matter
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Introduction
Antonio López
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1
Alberto O’Farrill: A Negrito in Harlem
Antonio López
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2
Re/Citing Eusebia Cosme
Antonio López
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3
Supplementary Careers, Boricua Identifications
Antonio López
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4
Around 1979: Mariel, McDuffie, and the Afterlives of Antonio
Antonio López
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5
Cosa de Blancos: Cuban American Whiteness and the Afro-Cuban-Occupied House
Antonio López
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Conclusion: “Write the Word Black Twice”
Antonio López
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End Matter
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