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When Worlds Collide When Worlds Collide
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Splat, Boom, Pow!: A Case Study in Comics as Non-Art Splat, Boom, Pow!: A Case Study in Comics as Non-Art
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Masters of American Comics: Forcing Comics into Fine Art Traditions Masters of American Comics: Forcing Comics into Fine Art Traditions
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Taking the Book out of Comics Art: Communication vs. Contemplation Taking the Book out of Comics Art: Communication vs. Contemplation
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Comics as New Media Art Comics as New Media Art
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References References
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Remasters of American Comics: Sequential Art as New Media in the Transformative Museum Context
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Published:July 2020
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Abstract
This chapter includes a 2009 essay by multi-faceted University of Illinois at Urbana-Champaign professor Damian Duffy highlighting the curatorial philosophies that avoid confronting the conceptual challenge of bringing the comics medium into the museum by attempting to fit comics, to one extent or another, into traditional fine art frameworks, including as examples the 2003 Contemporary Art Museum Houston exhibition Splat, Boom, Pow!, Masters of American Comics 2005, UCLA Hammer Museum and Museum of Contemporary Art, Comic Release! from Carnegie Mellon University, and his own curatorial work in partnership with John Jennings on the exhibitions Other Heroes: African American Comics Creators, Characters, and Archetypes. This chapter discusses new media, if we still need canons, comics versus fine art, comics as non-art, lone genius versus collaboration, display tactics, narrative, and racial inclusion.
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