
Contents
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The 1930s The 1930s
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The 1940s: Interest in Comics Expands during WW2 The 1940s: Interest in Comics Expands during WW2
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The Mid-1940s: Milton Caniff and The Art of Terry and the Pirates The Mid-1940s: Milton Caniff and The Art of Terry and the Pirates
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The Late 1940s: The National Cartoonists Society on Tour The Late 1940s: The National Cartoonists Society on Tour
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1951: The Gate Crashers invade the Metropolitan Museum of Art 1951: The Gate Crashers invade the Metropolitan Museum of Art
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Notes Notes
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References References
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The Evolution of Comics Art Exhibitions in the United States, 1930–1951
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Published:July 2020
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Abstract
This 2018 essay by art historian Kim A. Munson shares the details of her research on exhibits of original comic art in U.S. museums and galleries from 1930-1954. This chapter discusses several shows of the 1930’s from Thomas Nast at the Whitney (1932) to the display of the first Walt Disney animation cel purchased by the Metropolitan Museum of Art (1939). This chapter discusses World War II exhibits at the Metropolitan. This chapter discusses The Comic Strip: Its Ancient and Honorable Lineage and Present Significance, organized for the American Institute of Graphic Arts by Jessie Gillespie Willing (AIGA, 1942), which is a touring exhibit with historical works, comics, and comic books. Milton Caniff was a pioneer and advocate of comics exhibits representing himself (The Art of Terry and the Pirates 1939-1946) and later with the newly formed National Cartoonist Society organizing many shows including 20,000 Years of Comics (1949 Savings Bond Tour), and American Cartooning (Met Museum, 1951).
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