If Memory Serves: Gay Men, AIDS, and the Promise of the Queer Past
If Memory Serves: Gay Men, AIDS, and the Promise of the Queer Past
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Abstract
The AIDS epidemic soured the memory of the sexual revolution and gay liberation of the 1970s, and prominent politicians, commentators, and academics instructed gay men to forget the sexual cultures of the 1970s in order to ensure a healthy future. But without memory there can be no future, argues this exploration of the struggle over gay memory that marked the decades following the onset of AIDS. Challenging many of the assumptions behind first-wave queer theory, this book offers a new perspective on the emergence of contemporary queer culture from the suppression and repression of gay memory. Drawing on an archive of videos, films, television shows, novels, monuments, paintings, and sculptures created in the wake of the epidemic, the book reveals a resistance among critics to valuing—even recognizing—the inscription of gay memory in art, literature, popular culture, and the built environment. This book explores such topics as the unacknowledged ways in which the popular sitcom Will and Grace circulated gay subcultural references to awaken a desire for belonging among young viewers; the post-traumatic (un)rememberings of queer theory; and the generation of “ideality politics” in the art of Félix González-Torres, the film Chuck & Buck, and the independent video Video Remains.
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Front Matter
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Introduction: In the Interest of Time
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1.
Battles over the Gay past: De-generation and the Queerness of Memory
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2.
For Time Immemorial: Marking Time in the Built Environment
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3.
The Revolution Might Be Televised: The Mass Mediation of Gay Memories
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4.
Queer Theory Is Burning: Sexual Revolution and Traumatic Unremembering
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5.
Remembering A New Queer Politics: Ideals in the Aftermath of Identity
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End Matter
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