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Insect Imagery and the Dürer Renaissance Insect Imagery and the Dürer Renaissance
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From the Margins to the Center: Imaginary Insects From the Margins to the Center: Imaginary Insects
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The Imaginary and the Real as Modes of Representation The Imaginary and the Real as Modes of Representation
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Convention and Unconvention Convention and Unconvention
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Five Stitches, Specimens, and Pictures: Maria Sibylla Merian and the Processing of the Natural World
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One Joris Hoefnagel’s Imaginary Insects: Inventing an Artistic Identity
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Published:November 2011
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Abstract
Joris Hoefnagel was the first early modern artist to concentrate on insect imagery, exhibited in his three major works: Mira calligraphiaemonumenta, Ignis, and Archetypastudiaquepatris GeorgiiHoefnagelii. This chapter focuses on how Hoefnagel applied various image-making techniques that allowed him to maneuver different natural appearances. He made use of two artistic traditions—manuscript illumination and nature painting—as visual patterns in his remaking of the world of insects. The chapter also presents Albrecht Dürer’s nature studies and artistic works, which came to prominence during the last quarter of sixteenth century, famously dubbed as the Dürer Renaissance.
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