Quotational Practices: Repeating the Future in Contemporary Art
Quotational Practices: Repeating the Future in Contemporary Art
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Abstract
Literature and art have always depended on imitation, and in the past few decades quotation and appropriation have become dominant aesthetic practices. But critical methods have not kept pace with this development. This book reopens the debate about quotation and appropriation, shifting away from naïve claims about the death of the author. In interpretations of art and literature from the 1960s to the present, this book shows how artists and writers use quotation not to undermine authorship and originality, but to answer questions at the heart of twentieth-century philosophies of history. The book argues that quotation is a technique employed by art and philosophy to build ties to the past and to possible futures. By exploring quotation’s links to gender, identity, and history, it offers new approaches to works by some of the most influential modern and contemporary artists, writers, and philosophers, including Walter Benjamin, Guy Debord, Michel Foucault, Marcel Broodthaers, Glenn Ligon, Sharon Hayes, and Vanessa Place.
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Front Matter
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One
The Transformation of Authorship
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Two
Insinyation Détournement and Gender in Guy Debord
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Three
Marcel Broodthaers, An Artist in Quotation Marks
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Four
The Aesthetics of Administration: Heimrad Bäcker’s transcript
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Five
Making History: Sharon Hayes, Vanessa Place, and Glenn Ligon
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End Matter
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