From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe
From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe
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Abstract
Revolutionary narratives in recent science fiction graphic novels and films compel audiences to reflect on the politics and societal ills of the day. Through character and story, science fiction brings theory to life, giving shape to the motivations behind the action as well as to the consequences they produce. This book shows how science fiction generates intriguing and profound insights into politics. It reveals that the fantasy of putting annihilating omnipotence to beneficial effect underlies the revolutionary projects that have defined the collective upheavals of the modern age. The book traces how this political theology is expressed, and indeed literalized, in popular superhero fiction, examining works including Alan Moore and Dave Gibbons’s graphic novel Watchmen, the science fiction cinema of Jang Joon-Hwan, the manga of Hayao Miyazaki, Alan Moore’s V for Vendetta, and the Matrix trilogy. Superhero fantasies are usually seen as compensations for individual feelings of weakness, victimization, and vulnerability. But this book presents these fantasies as social constructions concerned with questions of political will and the disintegration of democracy rather than with the psychology of the personal. What is urgently at stake, the book argues, is a critique of the limitations and deadlocks of the political imagination. The utopias dreamed of by totalitarianism, which must be imposed through torture, oppression, and mass imprisonment, nevertheless persist in liberal political systems.
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Front Matter
- Introduction the God That Succeeded
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1
Utopia Achieved: The Case of Watchmen
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2
The Defense of Necessity: On Jang Joon-Hwan’s Save the Green Planet
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3
The Saintly Politics of Catastrophe: Hayao Miyazaki’s Nausicaä of the Valley of Wind
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4
Between Trauma and Tragedy: From The Matrix to V for Vendetta
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End Matter
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