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Story Cycles Story Cycles
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Performing, Mixing, and Monsters Performing, Mixing, and Monsters
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Mixing, Passing, and Casting Mixing, Passing, and Casting
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Concha Piquer and National Folklore Concha Piquer and National Folklore
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3 Racing for Modernity: From Black Jazz to White Gypsy Folklore
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Published:February 2012
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Abstract
This chapter focuses on the progressive whitening and nationalizing of Spanish stardom, and its conception of a predominantly Andalusian, Gypsified subjectivity through the death of Afro-Cuban jazz entertainer Peter Wald. Wald’s death is movingly told through Benito Perojo’s El negro que tenia el alma blanca (The black man with the white soul), which features cosmopolitan performers, objects, and scenarios that affected the national culture, potentializing the imaginations and polluting cultural purity. An analysis of the context, characterization, and registers of meaning in El negro illustrates how Spanish stars became progressively whitened, even though they went on to perform in Andalusian-based entertainment.
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