
Published online:
21 January 2016
Published in print:
15 March 2015
Online ISBN:
9781452950655
Print ISBN:
9780816681334
Contents
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2 A Culture of Resonance: Hypnotism, Wireless Cinema, and the Invention of Intermedial Spectatorship
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A Singular Time A Singular Time
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Wartime Chongqing Wartime Chongqing
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A State Cinema: Film as Infrastructure A State Cinema: Film as Infrastructure
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Rethinking the Cinematic Vernacular: National, Local, Global Rethinking the Cinematic Vernacular: National, Local, Global
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Cinema for the (Hinterland) Masses: A Rural Cinema? Cinema for the (Hinterland) Masses: A Rural Cinema?
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In Search of a Cinematic Esperanto In Search of a Cinematic Esperanto
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“A Vibrating Art in the Air”: The Infinite Cinema “A Vibrating Art in the Air”: The Infinite Cinema
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Broadcasting Cinema: Audiovisual Education and Innovating Exhibition Broadcasting Cinema: Audiovisual Education and Innovating Exhibition
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Xuanchuan/Propaganda: Affect versus Information Xuanchuan/Propaganda: Affect versus Information
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Battle of the Nerves: Wireless Propaganda and a Media Ecology Battle of the Nerves: Wireless Propaganda and a Media Ecology
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The Political Symbiosis of Propaganda: A Potential Public Sphere? The Political Symbiosis of Propaganda: A Potential Public Sphere?
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Chapter
5 “A Vibrating Art in the Air”: The Infinite Cinema and the Media Ensemble of Propaganda
Get access
Pages
265–316
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Published:March 2015
Cite
Bao, Weihong, '“A Vibrating Art in the Air”: The Infinite Cinema and the Media Ensemble of Propaganda', Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945 (Minneapolis, MN , 2015; online edn, Minnesota Scholarship Online, 21 Jan. 2016), https://doi.org/10.5749/minnesota/9780816681334.003.0005, accessed 25 Apr. 2025.
Abstract
Chapter 5 follows the migration of the Chinese film industry from Shanghai to Chongqing during the Sino-Japanese War. I examine the impact of the war and the rise of propaganda that initiated both a rethinking of film language and a reorientation of the cinematic medium in terms of simultaneous dissemination and mobile exhibition.
Keywords:
Affect, Medium, Intermediality, Propaganda, Spectatorship, Chinese cinema, Architecture, wireless technology, early television
Subject
Film
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